<span>1. </span>I believe the correct answer is: Quick marriage
to Elizabeth would serve as a consolation and approval of Victor and his father’s
relationship.
The quick marriage to Elizabeth would mend Victor’s
relationship with his father and bring the two of them together again. Victor
says, “Elizabeth alone had the power to draw me from these fits; her gentle
voice would soothe me when transported by passion, and inspire me with human
feelings when sunk in torpor” (Frankenstein, 235).
<span>2. </span>I believe the correct answer is: this quick
marriage had both bad and good impact on Elizabeth.
This instant decision of their marriage after a long time
was making Elizabeth doubt her relationship with Victor, which gravely hurt his
feelings. Elizabeth was convinced that he had another love in his life and was
prepared to let him go. But, no matter how happy she was for their marriage,
the unknown danger which she could sense made her nervous and anxious.
<span>3. </span>I believe the correct answer is: Elizabeth
continues to play the role of a healer of the family.
The role Elizabeth has always played throughout the novel
was the role of the healer of the family. Her sole existence was what kept them
together and served to mend Victor’s relationship with his father, Alphonse. Her
role as a healer is the reason why her death has a great impact on them.
<span>4. </span>I believe the correct answer is: Yes.
Elizabeth’s death has definitely perpetuated her role in a
novel. Her life was the sole thing bringing them together and after she is
killed, Alphonse dies from pain of losing her. Victor devotes his life to
murder and loses all his hope for life, just like his creation wanted.
okay Soo I predict:
Explanation:
Largo, Adagio, Andante, Moderato, Allegro
Answer:
They have a contrapposto pose seen in Classical Greek and Roman sculpture.
Explanation:
<u>Contrapposto is the Italian term for the pose named “counterpoise”. This pose presents a person that stands up so that most of their weight is balanced on one leg, with others just for support.</u> The shoulders and collarbone are rotated slightly on one side (going “down” on the side of the weight), while the hips and pelvis are rotated on another side in the counter direction.
We see both Donatello and Michelangelo have used this pose in their sculptures. <u>Examples of Dontallo’s usage are evident in his statues of David (both statues) and St George. Michelangelo’s statues done in counterpoise are, for example, Bacchus and David.</u>
