The English route taken by Richard I was the longest, they went around the peninsula and through Italy, then set towards Holy Land on their way, they stayed in Chipre and conquered it. The French, lead by Philippe II, went towards Genova by land and then sailed to the Holy Land, their route was shorter and they took less time to get there.
The kind methods that General Andrew Jackson used in
fortifying the New Orleans in regards of the military battle against the
British is by having to reunite the people in the New Orleans in which he
succeed by having to convince the laypeople by joining the army and that he was
also responsible for having to attack and ambush the camp of the British.
The answer is "<span>C) The Russo-Japanese War"
If this is indeed correct go ahead and mark brainliest so that others know its correct.
The rest of the answers are
</span><span>1) D
2) A
</span>3) <span>C
</span>4) <span>B
</span>5) <span>C
</span>6) <span>A
</span>7) <span>C
</span>8) <span>B
</span>9) <span>A
</span>10) B
El objetivo fundamental de Estados Unidos es la neocolonización o neodominación de América latina y el Caribe con el uso de diversas estrategias doctrinarias, filosóficas, políticas, sociales, culturales y básicamente militares: El expansionismo yanqui se origina en la filosofía, doctrina o idea del Destino Manifiesto presentida por los colonizadores puritanos, pues uno de ellos escribió: "Ninguna nación tiene el derecho de expulsar a otra, si no es por un designio especial del cielo como el que tuvieron los israelitas, a menos que los nativos obraran injustamente con ella. En este caso tendrán derecho a entablar, legalmente, una guerra con ellos así como a someterlos.
Answer:
he classical elements included in the School of Athens are roman arches; statues of greek gods and greek philosophers.
The School of Athens is the name received by a fresco painted by the Italian Renaissance artist Raphael. It was painted between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now called the Stanze di Raffaello, in the Apostolic Palace in the Vatican.
The fresco was regarded as the perfect embodiment of the classical spirit of the Renaissance.
