The answer is true. Accidentals are a note or pitch that is not part of the key signature that you're playing in, and these notes are marked by using the sharp (♯), flat (♭), or natural (♮) signs. Accidentals change the note they accompany either by raising or lowering it by a semitone (or half step).
1. Theatricality and drama. Monteverdi is the pioneer of opera as a dramatic fusion of music and text. Caravaggio's paintings are extremely dramatic and even theatrical. The faces are expressive, and never in a conventional way - they are angry, bored, sexually aroused, corrupt, decayed. It is never a passive representation of a scene. It is always brimming with drama.
2. The strange mixture of sacred and profane. Caravaggio used street hoodlums for models when he painted sacred scenes (e.g. The Calling of St. Matthew), and he painted courtesans in a dignified manner. Monteverdi's Poppea ("L'incoronazione di Poppea") is a courtesan lover of Nero, the Roman emperor. The two of them have extremely passionate and sensual duets together, including the tender "'Pur ti miro" at the end of the opera.
3. Music as inspiration. Caravaggio often painted musicians with lutes and other instruments. Monteverdi not only composed opera, but composed opera about music - his L'Orfeo is a piece about the sheer power of music and its impact on the world.
4. Fascination with dark corners of human psyche. Caravaggio obsessed over irrational, wicked, flawed personalities. Monteverdi also puts them in the center of all his major works. Even though he is a half-god, his Orfeo is very flawed and might even be considered weak, as he errs all the time. His Nero is extremely depraved. Even his madrigals couldn't just be simple love songs - they are called "Madrigali guerrieri et amorosi" - "Love and War Madrigals".
<u>Answer:</u>
<u><em>DRY MEDIA: </em></u>
<em>Chalk and charcoal </em>- a lot milder, and the straight forwardness with which they spread over the paper takes into consideration an increasingly volumetric translation of the <em>3D structure through varieties of light and dull. Smear effectively. </em>
<em><u>WET MEDIA:</u></em>
<em>Pen and ink- </em>- a progressively liquid and expressive intends to render light and shadow, line can be <em>thickened or diminished</em> relying upon the <em>receptiveness of the paper. </em>
<em>Wash and brush-utilizing the little tip of the brush</em> with ink to make lines of fluctuating length, wash <em>characterizes volume and structure by including shadow.</em>
Un meme1 es, en las teorías sobre la difusión cultural, la unidad teórica de información cultural2transmisible de un individuo a otro, o de una mente a otra, o de una generación a la siguiente. Es un neologismo acuñado por Richard Dawkins en El gen egoísta (The Selfish Gene), por la semejanza fonética con «gene» —gen en idioma inglés— y para señalar la similitud con «memoria» y «mimesis».
