Answer:
May pumukol sa pipit sa sanga ng isang kahoy
At nahagip ng bato ang pakpak ng munting ibon
Dahil sa sakit, di na nakaya pang lumipad
At ang nangyari ay nahulog, ngunit parang taong bumigkas,
“Mamang kay lupit, ang puso mo’y di na nahabag,
Pag pumanaw ang buhay ko, may isang pipit na iiyak.”
Considering how plaintively sad the theme and words are of this folk song, it’s slightly incongruous with contemporary sensibilities that most canonical interpretations of the melody, such as by Pilita Corrales and the Mabuhay Singers, are very upbeat. It’s almost like gleefully making fun of a helpless creature in deep throes of pain.
I believe the answer you're looking for is B. Guild.
Bartok was inspired by Stravinsky’s work to put a more traditional and often Baroque forms in pieces of his “middle period” such as Cantata Profana and Music for Strings, Percussion, and Celesta. <span>Stravinsky’s influence waned after the rise of postwar serialism. Messiaen used techniques that were clearly Stravinsky-like, though, such as melodic fragments of different metrical lengths repeating themselves and intersecting in different ways.</span>
Answer:
Cherise's topic and format are both acceptable, because they carefully follow the prompt.
Explanation:
Cherise decides that she is going to write a narrative essay that describes how her experience trying out for the cheerleading squad has helped her overcome her shyness and be comfortable in front of an audience.
As a response to Cherise's prompt, she is given a writing prompt in class which asks her to write a personal narrative essay that describes a significant experience at school that shaped her identity.
The statement that best describes Cherise's response to the prompt would be that Cherise's topic and format are both acceptable, because they carefully follow the prompt.
