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There is difference in time period between the original novel and radio versions of <em>The War of the Worlds</em>. (D) The novel was set in the late 1800s, while the radio version was set on the day it aired in the 1930s.
<u><em>The War of the Worlds </em></u><u>is a science fiction novel written by H.G. Wells,</u> an English author that lived during the late nineteenth century and the early twentieth century.<u> The novel was published in 1898 </u>and it tells the story of the protagonist and his brother, who are forced to deal with the Martian invasion. <u>The story is set in the late 1800s</u>. Moreover, <u>a radio adaptation of </u><u><em>The War of the Worlds </em></u><u>was directed by Orson Wells in 1938</u>. Although it is based on the novel<u>, the story in the radio version is set on the day it aired</u>.
Has to be D, trust........
Answer:
The answer is yes. Melville is really criticizing the Christian Missionaries.
Explanation:
Because he uses many biblical, scientific, and mythological themes to built his story. The lighting -rod man is a representation of the missionares, while the narrator represents Melville beliefs. The center idea of the story is that the christianism convertion is destroying the cultures, values, and customs established before. The convertion is not about real spiritually, but about imposing the missionaries way of living. The narrator tries to dissuade his neighbors from believing in the lightining rod man, Melville believes in a God full of love and not in a God or religion imposed by fear.
The number 3 is everywhere in Dante Alighieri's Divine Comedy<span>. For one thing, the poem itself is structured according to the rhyme scheme terza rima, which uses stanzas of three lines that employ interlocking rhymes (aba bcb cdc, etc.). Additionally, there are nine circles of Hell (three multiplied by three), Satan has three faces, and three beasts (a lion, a leopard, and a wolf) threaten Dante at the beginning of the Inferno. There are many more examples of three, but the overall important thing to understand is that the number three largely governs the structure of Dante's poem. Indeed, you can think of the number three as the scaffolding on which the rest of the poem's content is hung. This number is significant because three is a central number in the Judaeo-Christian tradition, especially in terms of the Trinity (Father, Son, and Holy Spirit). As such, just as the whole of the Christian world is governed by a three-in-one God, Dante's poem is governed by the number three. Thus, Dante's obsession with the number three mirrors the prevalence of three in the Christian tradition. </span><span />
