False- the purpose was to <span>set the boundary of the Louisiana Territory between the US and Canada at the 49th parallel.</span>
Bonjour mon nom est Maddie!
Last year my family and I went on a camping trip to the Mississippi river. It was intended to be a peaceful getaway but quickly turned into quite an adventure. On our way to the campground a small dog ran out from behind a tree and ran right across the road. Thankfully my dad quickly swerved leaving it unharmed. That dog did a dangerous maneuver and he didn’t even bark! At our campsite was a basket full of squirrel treats. They really pushed feeding them. They wanted the squirrels to get as much food and grow so the dragons can eat them. The dragons are giant! And they live in big dark caves. We wanted to visit one so we did. We saved a lot of time by riding our bikes instead of walking. When we got there we were trembling. What human being goes to a dragons cave? We were terrified. The ground around us started shaking. I opened my eyes to my mom shaking me to wake up. We were about to miss the plane!
"Sea-scented beach" is an example of both alliteration and assonance due to the fact that, (alliteration) you have two repeating consonants "<em>s</em><em />ea-<em>s</em><em />cented..." and assonance because of the "ea" in sea, and the "ea" in beach make the same sound.
The answers are:
"In these opening lines, the reader is presented with a narrator who wants to kill the old man because of his eye. The author uses the lines to present a CHARACTER VERSUS SELF conflict. Based on this excerpt, this stage of the plot is most likely to occur in THE CLIMAX.
All of this because the idea entered in the man´s mind and haunted him day and night, that´s when the conflict with himself started.
And the exposition of the "Tell tale" is when the narrator insists that he´s not insane. The rising action is when he is gathering the courage to kill the old man. The climax is when he kills the old man. And the falling action is when the narrator hears the old man´s heart beating.
