<u>Answer</u>:
That which most closely matches the literary style and time period common to both excerpts is Realism. Realism writers had an interest in understanding society and individual emotions, actions, and motivations. So, here the right answer would be Option C.
<u>Explanation</u>:
The literary realism movement kicked off in the middle of the nineteenth century and went on till the beginning of the next century. Its major catch is that it rejected imaginative idealisation and focused on resembling definite and detailed pictures of the reality be it nature or life.
Literary realism anchors on capturing real life accurately starting from the clothes, setting and light. They believed in creating honest and unadorned art and literature .
Answer:
Death and the King's Horseman isn't just about a clash of cultures—it's also about a clash of religions. Yoruba spirituality and Elesin's attempts to confront mortality and the afterlife are very much at the heart of the story, and Soyinka himself sees the spiritual dilemmas that the play presents as the key thing going on. The play definitely prompts us to think about different religions and customs and how they intersect and clash, dropping references to Islam and Christianity as well as lots of discussion of Yorubam religious practices.
Explanation:
By showing the richness of Yoruba traditions while simultaneously failing to show the British characters actively engaged in any kind of religion, Soyinka suggests the emptiness of British customs and religion.
Is there more of the reading ?
