Researchers have developed a program that measures how many planet earths are needed to provide the resources humanity is using. this ecological yardstick is called ecological footprint
The Global Footprint Network promotes the ecological footprint as a way to assess how much nature is needed to sustain a given number of people or an economy. Through an ecological accounting system, it monitors this demand. The accounts compare the biologically productive areas used by people for consumption to the biologically productive areas available in a region or around the world (biocapacity, the productive area that can regenerate what people demand from nature).
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If you're simply trying to convert 84lbs to kg, then it'd be closest to 38 kg
"Gambling" in the country involves cheating.
Gambling is the betting of cash or something of significant worth on an occasion with a questionable result with the essential purpose of winning cash or material products.
Gambling , the wagering or staking of something of significant worth, with awareness of hazard and any desire for pick up, on the result of a diversion, a challenge, or an unverifiable occasion whose outcome might be dictated by possibility or mishap or have a surprising outcome by reason of the bettor's erroneous conclusion.
France is the birthplace of cinema and was responsible for many of its significant contributions to the art form and the film-making process itself.[3] Several important cinematic movements, including the Nouvelle Vague, began in the country. It is noted for having a particularly strong film industry, due in part to protections afforded by the French government.[3]
Apart from its strong and innovative film tradition, France has also been a gathering spot for artists from across Europe and the world. For this reason, French cinema is sometimes intertwined with the cinema of foreign nations. Directors from nations such as Poland (Roman Polanski, Krzysztof Kieślowski, and Andrzej Żuławski), Argentina (Gaspar Noé and Edgardo Cozarinsky), Russia (Alexandre Alexeieff, Anatole Litvak), Austria (Michael Haneke), and Georgia (Géla Babluani, Otar Iosseliani) are prominent in the ranks of French cinema. Conversely, French directors have had prolific and influential careers in other countries, such as Luc Besson, Jacques Tourneur, or Francis Veber in the United States.
Another element supporting this fact is that Paris has the highest density of cinemas in the world, measured by the number of movie theaters per inhabitant,[4] and that in most "downtown Paris" movie theaters, foreign movies which would be secluded to "art houses" cinemas in other places are shown alongside "mainstream" works. Philippe Binant realized, on 2 February 2000, the first digital cinema projection in Europe, with the DLP CINEMA technology developed by Texas Instruments, in Paris.[5][6][7] Paris also boasts the Cité du cinéma, a major studio north of the city, and Disney Studio, a theme park devoted to the cinema and the third theme park near the city behind Disneyland and Parc Asterix.[8]
France is the most successful film industry in Europe in terms of number of films produced per annum, with a record-breaking 300 feature-length films produced in 2015.[9] France is also one of the few countries where non-American productions have the biggest share: American films only represented 44.9% of total admissions in 2014. This is largely due to the commercial strength of domestic productions, which accounted for 44,5% of admissions in 2014 (35.5% in 2015; 35.3% in 2016).[10] Also, the French film industry is closer to being entirely self-sufficient than any other country in Europe, recovering around 80–90% of costs from revenues generated in the domestic market alone.[11]
