The answer is: [B]: "False" .
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Plagiarism applies to the "real world" (that is, the "non-academic" realm), as well! In fact, published (and in many cases, even "non-published") material that can be referred to as "plagiarized" (e.g. paraphrased ideas, or copied, writing, or translated material, or PowerPoint presentations, business ideas, lectures, etc.). that is published, or presented publically or to a widestream audience— without giving proper credit to source(s) is, in fact, "plagiarism" — and is called "plagiarism" as well.
In such cases of plagiarism, severe consequences may result, including job demotions/terminations, civil actions (law suits), monetary restitution and public apologies—even companies going bankrupt; as well as reputations destroyed.
Furthermore, many colleges have academic integrity policies that specifically state that plagiarism still occurs in cases of drafts of work—even when not final written essays—are required to be submitted to teachers/professors/T.A.'s. Furthermore, plagiarism is not limited to written essays—but also other types of assignments (e.g. oral reports for any class, communication/lecture assignments, any data used/obtains, information on spreadsheets (e.g. accounting/business classes, any artwork, computer science codes).
The dramaturgy genre cultivated since Greek and Roman times and tend to conserve the original structure of the plays. That´s the reason why all options are correct.
Among them, the moralizing didactic content is central. The theater was accessible to the people, therefore, the works were written with an educational purpose. In Seneca as well as in Shakespeare's Romeo and Juliet, a reflection is promoted on the audience about the passions and values of men and women in society.
Due to the tragic cadence of Romeo and Juliet and the seriousness of the themes that Seneca approached, the author worked with a character and a chorus of singers which utility was to act as a comic relief. In this way, the audience didn´t get angry with the scenes depicted.
In both plays - Romeo and Juliet and Seneca´s - we can mention the prophetic dreams. One of the characters anticipates the tragic final because he or she dreams the overcome of terrible episodes.
These dreams lead the characters to confront a tragic fate. As well as the poor Oedipus was condemned to fall in love with his mother, Romeo and Juliet were sentenced to die separately.
Nevertheless, the nature of fate in each play is different. Edipo ´s destiny was influenced by the decisions of superior gods and stars while Romeo and Juliet´s outcome has to deal with human limitations.
EVERY<span> one understands how praiseworthy it is in a Prince to keep faith, and to live uprightly and not craftily. Nevertheless, we see from what has taken place in our own days that Princes who have set little store by their word, but have known how to overreach men by their cunning, have accomplished great things, and in the end got the better of those who trusted to honest dealing.</span>
