Answer:
Propaganda, the Denarius of Julius Caesar, Augustus of Primaporta and Emperor Justinian and his attendants all serve a propaganda function.
Explanation:
The denarius of Julius Caesar was the first time the portrait of a living person was featured on a coin. It shows a profile of Caesar on the front side and Venus on the reverse side. It was used as propaganda to assert Caesar's claim of being descended from Venus.
Augustus of Primaporta sought to use the coinage as propaganda to normalize his image as an imperial leader, and serves an integral role in the success of his rule. It depicts Augustus as a holy man and employs many pagan symbols in respect to the Roman priesthood which he presided over.
The mosaic of Emperor Justinian shows Justinian as a ruler of the church and state, Justinian holds a gold plate which was his offering to the church in place of the communion bread. The propaganda function it serves was a way of showing people his presence in the church because a lot of people believe Justinian and his wife never even go to church.
<span>The correct
answer is d. Motif.
A motif is a symbol, theme, or design repeated to form a pattern in a work of art.
</span>This repetition
serves as an emphasis of the main idea. It has different uses: it can be used
to deliver a certain emotion or simply for aesthetic reasons.
Claudio Monteverdi
He is a composer who bridged the Renaissance period and the Baroque.
Among his most notable works are the operas Orfeo and L'incoronazione di Poppea.
Sculpture , ceramics , oragami , 3D animation , puppets , dolls & things of that sort.
Answer:
Leonardo da vinci
Explanation:
Last Supper, Italian Cenacolo, one of the most famous artworks in the world, painted by Leonardo da Vinci probably between 1495 and 1498 for the Dominican monastery Santa Maria delle Grazie in Milan. It depicts the dramatic scene described in several closely connected moments in the Gospels, including Matthew 26:21–28, in which Jesus declares that one of the Apostles will betray him and later institutes the Eucharist. According to Leonardo’s belief that posture, gesture, and expression should manifest the “notions of the mind,” each one of the 12 disciples reacts in a manner that Leonardo considered fit for that man’s personality. The result is a complex study of varied human emotion, rendered in a deceptively simple composition.
