Answer:
I hope this is correct. staring from the top lable them as A-E just to make it easier for me it would go.
A-1934
B-1938
C-1732
D-1933
E-1985
The two groups in terms of their connection are;
- Garth Brooks, Bill Monroe, Bill Keith, and Alison Krauss- Bluegrass Music
- Bela Fleck, David Grisman, Charley Pride, and Earl Scruggs -Plays banjo or Dobro.
<h3>What is the musical connection about?</h3>
Garth Brooks, Bill Monroe, Bill Keith, and Alison Krauss are all known to be very famous in Bluegrass Music.
Bill Keith was known for his mark left behind on bluegrass as he plays scales and chromatic passages.
Bela Fleck, David Grisman, Charley Pride, and Earl Scruggs are very famous as they Plays banjo or Dobro.
Earl Scruggs is known for producing the banjo as the key instrument in blue-grass music.
Therefore, The two groups in terms of their connection are;
- Garth Brooks, Bill Monroe, Bill Keith, and Alison Krauss- Bluegrass Music
- Bela Fleck, David Grisman, Charley Pride, and Earl Scruggs -Plays banjo or Dobro.
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Answer:
Because more than just a building, an architectural structure is a human expression. So, it must reflect the conceptions, not only of the time but the author as well. When an architect is projecting a building, he must think about how the audience would look at it, and the feelings they will have. A good example is the Gothic cathedrals.
Explanation:
Well, now let's see.
The architects who project for example the Notre Dame Cathedral were influenced by the art of their time (the Gothic, in this case). So, the structure they were rising should contain elements of this style, such as complex decoration, stained glass, statues ornamenting the entrance, the idea of reach the skies represented by the building's height, the flying buttress on the structures, and several other elements. And when people look at the final building, they will feel fear, respect, moderation and many other feelings. But these feelings were possible, ONLY because the architect thought about what he would put on the structure.
