The sentence that suggests the narrator does not closely monitor Bar.tleby's performance after hiring him is given below.
<h3>What is the evidence that the lawyer didn't do thorough background checks on Bar.tleby?</h3>
The textual evidence is as follows;
"The Lawyer asks him: "What earthly right have you to stay here? Do you pay any rent? Do you pay any taxes? Or is this property yours?"
Bar.tleby makes no response, and the Lawyer becomes resigned to the idea that Bar.tleby will simply haunt his office, doing nothing.
The Lawyer believes he is doing a good, Christian thing by allowing Bar.tleby to continue existing in his office."
<h3>Who is Bar.tleby?</h3>
From the text "Bar.tleby, the Scrivener: A Story of Wall Street", Bar.tleby is an old scrivener at The Lawyer's office, Turkey. He is cheerful and productive until midday, when he gets dru.nk, grumpy, and basically worth.less.
We never discover his full name since The Lawyer only refers to him by his nickname. A twelve-year-old assistant in the legal office.
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<span><span>A character is an imaginary person who takes part in the action of a play.</span><span>Drama tends to compress and simplify the personalities of characters, often relying on types to quickly sketch out and draw contrasts between them. </span>Unlike fiction, plays do not usually have narrators who can provide the reader or viewer with background information on characters. Consequently, the information we receive about them is limited to the dialogue they themselves speak.<span>The main character, or leading role, of a dramatic text is called the protagonist.</span><span>The antagonist is the counterpart or opponent of the protagonist.</span><span>In more traditional or popular dramatic texts, the protagonist may be called a hero or heroine, and the antagonist may be called the villain. </span><span>Dramatic texts also include minor characters or supporting roles. </span><span>Sometimes a supporting role can be said to be a foil, a character designed to bring out qualities in another character by contrast. </span>All the characters in a drama are interdependent and help to characterize each other.<span>Because of time constraints and the lack of narrators or room for exposition in dramatic texts, playwrights use shortcuts like stereotypes to convey character. Everyone involved, including the audience, consciously or unconsciously relies on stereotypes, or assumptions about various social roles, to understand characters. </span><span>In the United States today, casting—or typecasting—usually relies on an actor's social identity, from gender and race to occupation, region, age, and values. </span>Sometimes playwrights, directors, and actors overturn or modify expectations or conventions of characterization in order to surprise the audience.</span>
PLOT AND STRUCTURE
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Answer:
Part A : Haimon is more compassionate than his father.
Part B: "She covered her brother’s body. Is this indecent? She kept him from dogs and vultures. Is this a crime?"
Explanation:
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King using the phrase "flight's ground crew" refers to the people who have sacrificed a lot to make the freedom movement take flight. They are the people who have given their all but are not recognized for their sacrifices.
<span>Match the italicized example to the term.
1. Whenever I get home will be soon enough. object of preposition
2. Choose whichever one you want. indirect object
3. Dad will pay whoever finds his dog a reward. appositive
4. My accomplishment, that I have written one story, doesn't make me an author. direct object
5. This is how I make Swedish meatballs. subject
6. Don't judge a person by what he wears. predicate noun
</span>1. C
<span>2. B </span>
<span>3. A </span>
<span>4. E </span>
<span>5. D </span>
<span>6. F</span><span>
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