Jo additionally adores writing, both perusing and composing it. She creates plays for her sisters to perform and composes stories that she in the end gets distributed. She emulates Dickens and Shakespeare and Scott, and at whatever point she's not doing tasks she curls up in her room, in the edge of the attic, or outside, totally ingested in a good book.
Meg, short for Margaret, is the most oldest and (until Amy grows up) the prettiest of the four March sisters. She's the most typical of the sisters – we think about her as everything that you may expect a nineteenth-century American young lady from a good family to be. Meg luxury, nice things, dainty food, and great society. She's the only sister who can truly recall when her family used to be wealthy, and she feels nostalgic about those past times worth remembering. Her fantasy is to be wealthy once again, and have a big mansion with tons of servants and costly belongings. She's additionally somewhat of a sentimental; when she needs to tell a story to delight her sisters, it's about love and marriage, and Jo begins to suspect at an early stage that Meg may have a genuine Prince Charming in her thoughts. Meg is sweet-natured, devoted, and not in the least flirtatious – truth be told, she's unreasonably great and proper. Maybe that's the reason she's so alarm by her sister Jo's boisterous, tomboyish behavior.
1.) Lack of motivation which could be from not seeing any results or just not feeling like it.
2.) Not sure of what exercises to do or what diet plan to go with.
3.) Might not be able to afford a gym membership or healthier food.
Hope this helps :)
Hi William,
Question - What is the meter pattern in these lines from "On Imagination" by Phillis Wheatley? Imagination! who can sing thy force? Or who describe the swiftness of thy course?
Answer - B. Iambic Pentameter
Iambic Pentameter - "a line of verse with five metrical feet, each consisting of one short (or unstressed) syllable followed by one long (or stressed) syllable"
Hope This Helps!
isnt it
Answer:
C. “But the fact is I was napping, and so gently you came rapping, / And so faintly you came tapping, tapping at my chamber door,”
&
C. The rhyme gives the poem an even rhythm and maintains the tension.
Explanation:
1. None of the other options give as much tension as these lines do. The anticipation and reptition of the lines intensify the action of approaching a chamber door.
2. I feel as though the other options don't quite work as well as this one. A rhyme doesnt necessarily make a poem easier to remember, lines that are more 'significant' is just subjective, and each rhyme doesnt necessarily end an idea.
The theocracy that ruled Puritan salem
