When you're simplifying equations, you have to collect the like terms (the similar ones, eg- fractions would be like terms, and so would letters).
When you're simplifying, you also have to take note of the operation before the equation.
1) Firstly, collect the like terms of M (M and -4M). As M comes before -4M, you have to add -4M to M. As -4M is a negative, this overwrites the addition, and this becomes M-4M. This then gives you -3M. The same applies to the fractions, as you have -1/6 + 5/6, you have to add 5/6 to -1/6, and this gives you 4/6, or 2/3 simplified. Therefore, you put these together- and this gives you -3M + 4/6, however, you normally have a negative number second, so one this has been rearranged, this gives you 4/6-3m.
2). Same applies to this one, you also have to collect the like terms of W. 2.3W and -3W. You simply have to subtract -3W from 2.3W, and this gives you -0.7W. You now have to collect the numbers, and you have -7 and 8. 8 is a positive, therefore, you have to add 8 to -7, giving you 1. Therefore, when you collect the like terms, this gives you -0.7W+1. As aforementioned, you cannot have a negative first, so one this is rearranged, this gives you 1-0.7W
Hope this helps :)
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1. The answer is "D.) Anne Bradstreet was never married."
"Anne Bradstreet was never married" is the one among the following choices in question about Anne Bradstreet that is not true.
At sixteen years old she married Simon Bradstreet. "To My Dear and Loving Husband" was composed in the vicinity of 1641 and 1643 by Anne Bradstreet, America's initially published poet. This poem offers present day readers bits of knowledge into Puritan states of mind toward affection, marriage, and God. In the ballad, Bradstreet broadcasts her incredible love for her significant other and his for her.
2. The answer is "B.) a poem's cadence, pace, or ongoing momentum".
"A poem's cadence, pace, or ongoing momentum" is the one among the following phrases that best defines rhythm.
Rhythm is among the most imperative major components in music, with contrasts in rhythmic structure describing distinctive styles of music. Rhythmic structure can't be isolated from time, or the essential beat, for example, a quarter note or arrangement of eighth notes. Those components, truth be told, are basic to deciding the beat of music. Additionally, a similar rhythm is created paying little heed to the speed at which the music is played.