The study of Japanese art has frequently been complicated by the definitions and expectations established in the late 19th and early 20th centuries, when Japan was opened to the West. The occasion of dramatically increased interaction with other cultures<span> seemed to require a convenient summary of Japanese </span>aesthetic<span> principles, and Japanese art historians and archaeologists began to construct </span>methodologies<span> to categorize and assess a vast body of material ranging from Neolithic pottery to wood-block prints. Formulated in part from contemporary scholarly </span>assessments<span> and in part from the syntheses of enthusiastic generalists, these theories on the characteristics of Japanese </span>culture<span> and, more</span>
C, apply your work meaningfully and to your intended audience when creating it.
Beginning, worst
(personally I like having the order 13542, 1 being best, 5 being worst, so your impression is good and you leave off with a good impression as well instead of a sour/underwhelming work
Leave a portfolio for the interviewer to review
B if it’s a general portfolio
Answer:
(B) The idea wasn't invented until 1935.
Explanation:
The best answer would be (B), since prior to that year, all movies were silent ones. Silent movies are movies without any sound, which started since the late 19th century until they early 20th century.
Though by 1927 movies were already released with sounds, such as the musical The Jazz Singer, none were composed specifically for each movie.
WIth Max Steiner's film score for King Kong, the trend starts, however. King Kong was released in 1933, and after the release more movies had their own film scores. 1935 was also the year when Academy Awards started giving awards for Best Original Film Score.
