A literary device which gives the reader an advance hint of what is to come later in the story.
Answer:
It is significant in the context of his greater story because it shows he is his own person even with a piece of Voldemort living in him.
This is repeatedly a theme of Harry’s character. That he isn’t Voldemort because he makes different choices.
Rowling wanted it to be conveyed though in Harry’s character clearly that he could easily have been someone like Voldemort.
Harry could have easily chosen a path like that after discovering he had powers of Voldemort’s. He could have decided he wanted to be a dark wizard too.
The danger that Harry might eventually give in and go over to the dark side as it were is repeated at certain points throughout the Harry Potter book series, but mostly in the earlier installments
Answer:
Frankenstein contains elements of both gothic and romantic literature. Mary Shelley brings out the romantic’s love of nature in the story. Both Frankenstein and the creature explicitly credit nature with giving them joy and lessening their sorrow several times. Victor commits a great sin by trying to go against nature’s laws. Walton is shown to be at fault for his desire to explore the arctic. Mourning the loss of nature to industrialization in the mid-eighteenth century was a romantic trait.
Romantic themes of education and human potential can be found in the scenes with the De Lacey family.
The reanimation of a dead body and descriptions of graveyards and corpses are all gothic conventions designed to create horror or terror in the reader. Other gothic conventions used in Frankenstein are murder, madness, and the suppression of women
