Answer:
Since the narrator did this as an act of selfishness, he should be blamed guilty for Doodle's death.
Explanation:
During the course of the story, we could see many moments where the inner thoughts and feelings of the narrator are described to the reader. We also get a character named Doodle, which we know has a disability and was different. We know that the narrator had pride, and didn't want to be ashamed for having a brother different from others. We also notice that the narrator was sometimes cruel to Doodle, like when he threatened to leave him unless he touched his own coffin, made when he was expected to die at birth.
The narrator was selfish and prideful and wanted Doodle to be capable, and like others before going to school. When walking, he would quicken his pace or make Doodle swim till he turned blue, or run till he turned red.
In the last scene (which is the scene where Doodle dies), the narrator quickens his pace and runs through the pouring rain, despite Doodle's fear and tiredness. This shows us that the Narrator doesn't appreciate Doodle as he is, and wants Doodle to be someone normal, to not be ashamed.
Therefore, since the narrator did this as an act of selfishness, he should be blamed guilty for Doodle's death.
<em>-kiniwih426</em>
I think that the expanding cities may also cause the burrowing owl to become endangered
Answer:
ITS TRUEEEEEEEEEEEEEEEEEEEEEe
Explanation:
Answer:
Explanation:
In the 1840s, great wooden ships known as clippers began sailing the high seas. These narrow, swift vessels were considered the fastest ships int he world. They sailed from New england ports to the West Indies, Java, China, and India, carrying furs and bringing back tea and silks. They also sailed around the tip of South America, transporting gold seekers from the east coast of America to California. When the Civil War ended, in 1865, steamships - and later, oil-burning ships - took over the work of the clippers. The days of the great wind-drive wooden ships soon came to an end.
Stormalong was first immortalized in "Old Stormalong," a popular sea chantey, or work song, sung by sailors when they weighed anchor or hoisted the sails. In 1930, in his book Here's Audacity, Frank Shay collected and retold the old yarns about Stormalong told by sailors from the old wooden ships. And a few years later, a pamphlet published by C.E. Brown brought together more of the Stormalong tales.
The story of Stormalong has since been retold a number of times. The popularity of the tale is due at least in part to the nostalgic, romantic appeal of the tall, graceful clippers and admiration for tech skill and physical courage of the sailors who piloted them. Since the fossil fuels that have driven our ships for the last hundred years are in finite supply, perhaps it is just a matter of time before the great wind-driven ships return to the sea.
--American Tall Tales, by Mary Pope Osborne, 1991
When one analyzes the tone of a poem, one must almost
certainly always consider the words used.
In looking at the poem, “The Fruit Garden Path,” there are some harsh
words used up until just a little past halfway through the poem with words like
“dispute,” “reckless,” and “throws.” The
tone these words lend to the poem can be thought of to be angry or
resentful. However, the tone changes at
the point where the author begins speaking to the garden itself rather than
about it with the line, “Dear garden of my youth…” From this point on, a gentle nostalgic tone
can be interpreted to be used because of the words “Dear,” “hopes and fears,” and
“my home.”
