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andrew-mc [135]
2 years ago
6

Why were kibbutzim such as the one shown here important to the newly formed nation of Israel? (1 point)

History
1 answer:
Finger [1]2 years ago
6 0

Answer:

the 3rd answer.

Explanation:

im not sure

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Match the participants of the French and Indian War with the territories they lost or gained after the Treaty of Paris of 1763.
Mama L [17]

Answer:

Britain --- won territory and expanded empire

France --- lost territory and influence

Spain --- gained territory but did not settle it

American colonies --- gained territory and sense of unity

American Indians --- could not keep promised territory

Explanation:

The French and Indian War was a military conflict developed between 1754 and 1763 in North America, between Britain and France, for control of the territories adjacent to the Great Lakes.

During this conflict, the French were aided by Native Americans and, to a lesser extent, by the Spanish. In turn, the bulk of the British combatants were American settlers.

The end result of this war was the total annexation of the French colonies in America by Great Britain, as well as the secession of Louisiana to Spain by France.

For the Americans, this war meant the creation of a strong and unifying national identity, while for the Native Americans it meant a great loss of power in their ancestral territories.

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How does the amount of settlement along the coast of the 13 colonies compare to the amount of settlement farther inland?
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When people arrived they first settled on the coast not inland
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Michelangelo The creation of man.<br>1. What makes this a renaissance painting?​
kvv77 [185]

Answer:

Michelangelo’s Creation of Adam

Michelangelo, Creation of Adam, from the ceiling of the Sistine Chapel in the Vatican, Rome, 1508-1512, fresco

The most famous section of the Sistine Chapel ceiling is Michelangelo’s Creation of Adam.  This scene is located next to the Creation of Eve, which is the panel at the center of the room, and the Congregation of the Waters, which is closer to the altar.

The Creation of Adam differs from typical Creation scenes painted up until that time.  Here, two figures dominate the scene: God on the right, and Adam on the left.  God is shown inside a floating nebulous form made up of  drapery and other figures.  The form is supported on angels who fly without wings, but whose flight is made clear by the drapery which whips out from underneath them. God is depicted as an elderly, yet muscular, man with grey hair and a long beard which react to the forward movement of flight.  This is a far cry from imperial images of God that had otherwise been created in the West dating back to the time of late antiquity.  Rather than wearing royal garments and depicted as an all-powerful ruler, he wears only a light tunic which leaves much of his arms and legs exposed.  One might say this is a much more intimate portrait of God because he is shown in a state that is not untouchable and remote from Man, but one which is accessible to him.

Unlike the figure of God, who is outstretched and aloft, Adam is depicted as a lounging figure who rather lackadaisically responds to God’s imminent touch.  This touch will not only give life to Adam, but will give life to all mankind.  It is, therefore, the birth of the human race.  Adam’s body forms a concave shape which echoes the form of God’s body, which is in a convex posture inside the nebulous, floating form.  This correspondence of one form to the other seems to underscore the larger idea of Man corresponding to God; that is, it seems to reflect the idea that Man has been created in the image and likeness of God – an idea with which Michelangelo had to have been familiar.

One of the questions that has been raised about this scene is the identity of the figures next to God.  Given her privileged placement under the arm of God, the female figure is presumably an important one.  Traditionally, she has been thought to be Eve, the future wife of Adam, who waits to the side until she is created out of Adam’s rib.  More recently, however, a theory has been floated that this is actually the Virgin Mary, who takes this place of honor next to God and the child next to her, who would therefore be the Christ Child.  This view is supported by the placement of God’s fingers on the child – the same fingers that the priest would use to raise the Eucharist during the Mass.  Since Catholic theology holds that the Eucharist is the Body of Christ, this theological understanding would be embodied in this painting.  If this latter interpretation is correct, the Creation of Adam would be intrinsically linked to the future coming of Christ, who comes to reconcile man after the sin of Adam.

In all, the painting shows several hallmarks of Michelangelo’s painting style: the lounging position of both Adam and God, the use of bodies which are both muscular and twisting, and the painting of figures who come across as works of sculpture. It is good to remember that Michelangelo was, after all, a sculptor.  Painting was not his primary area.

The Creation of Adam is one of the great jewels of Western art, though it and the rest of the Sistine Chapel ceiling suffered the ill effects of centuries of smoke that had caused the ceiling to darken considerably.  It was not until 1977 that the cleaning of the ceiling was begun.  The result of the cleaning was astonishing after its completion in 1989; what was once dark and drab became vivid.  The change from pre-cleaning to post-cleaning was so great that some initially refused to believe that this is the way Michelangelo actually painted.  Today, we have a much better understanding of Michelangelo’s palette and the world he painted, beautifully captured across the ceiling of the Sistine Chapel.

Explanation:

4 0
3 years ago
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