Neo-Confucianism was essentially a response by the Confucians to the dominance of the Daoists and Buddhists. Neo-Confucians such as Zhu Xi recognized that the Confucian system of the time did not include a thoroughgoing metaphysical system and so devised one. There were of course many competing views within the Neo-Confucian community, but overall, a system emerged that resembled both Buddhist and Daoist thought of the time and some of the ideas expressed in the Book of Changes (I Ching) as well as other yin yang theories associated with the Taiji symbol (Taijitu). A well known Neo-Confucian motif is paintings of Confucius, Buddha, and Lao Tzu all drinking out of the same vinegar jar, paintings associated with the slogan "The three teachings are one!"
While Neo-Confucianism incorporated Buddhist and Taoist ideas, many Neo-Confucianists claimed to strongly oppose Buddhism and Taoism. One of Han Yu's most famous essays decries the worship of Buddhist relics. Zhu Xi in particular, wrote many essays attempting to explain how his ideas were not Buddhist or Taoist, and included some extremely heated denunciations of Buddhism and Taoism.
<span>The correct answer is the Bill of Rights. It shows what people are allowed to do and what they aren't. The original bill was the first 10 amendments to the US constitution, but the list keeps being expanded as need be and now it has over 20 that were made for various needs like giving more rights to the disenfranchised or similar.</span>
Answer:
Greek pottery, the pottery of the ancient Greeks, important both for the intrinsic beauty of its forms and decoration and for the light it sheds on the development of Greek pictorial art. Because fired clay pottery is highly durable—and few or no Greek works in wood, textile, or wall painting have survived—the painted decoration of this pottery has become the main source of information about the process whereby Greek artists gradually solved the many problems of representing three-dimensional objects and figures on a flat or curved surface. The large number of surviving examples is also the result of a much wider reliance on pottery vessels in a period when other materials were expensive or unknown. The Greeks used pottery vessels primarily to store, transport, and drink such liquids as wine and water. Smaller pots were used as containers for perfumes and unguents.
