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yarga [219]
3 years ago
6

In the poem blessing which of these feature is a semantic field of wealth and fortune? A) 'a sudden rush/of fortune' b) 'a congr

egation' c) 'Silver crashes to the ground' d) 'A roar of tongues'
English
1 answer:
kifflom [539]3 years ago
7 0

Answer:

A) 'a sudden rush/of fortune'

c) 'Silver crashes to the ground'

Explanation:

A semantic field, can be conceptualized as a set of words, which are grouped to convey a single meaning, which allows a deeper understanding of the theme of the text.

In the poem "Blessing" written by Imtiaz Dharker we are presented with the importance of water in regions that have little access to it. The author shows how the amount of water is insufficient in some regions of India, which causes many difficult socioeconomic problems to be solved. The author also presents water as a wealth, a fortune, accessible to little, but necessary for many. This concept of wealth and fortune is presented through the semantic field, through the lines "A sudden rush / of fortune" and "Silver crashes to the ground."

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In order to form a more perfect union: its we the people of the preamble it implies that the progress of the American experience is never complete

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3 years ago
I the essay the narrator knows that he shouldn't kill the elephant, but does so anyway why does he do this? Describe a time when
mestny [16]

The poet described about the kill of the Element is given below.

Explanation:

In the 1920s a young would-be poet, an ex-Etonian named Eric Blair, arrived as a Burma Police recruit and was posted to several places, culminating in Moulmein. Here he was accused of killing a timber company elephant, the chief of police saying he was a disgrace to Eton. Blair resigned while back in England on leave, and published several books under his assumed name, George Orwell.

In 1936 these were followed by what he called a “sketch” describing how, and more importantly why, he had killed a runaway elephant during his time in Moulmein, today known as Mawlamyine. By this time Orwell was highly regarded, and many were reluctant to accept that he had indeed killed an elephant. Six years later, however, a cashiered Burma Police captain named Herbert Robinson published a memoir in which he reported young Eric Blair (whom he called “the poet”) as saying back in the 1920s that he wanted to kill an elephant.

All the same, doubt has persisted among Orwell’s biographers. Neither Bernard Crick nor DJ Taylor believe he killed an elephant, Crick suggesting that he was merely influenced by a fashionable genre that blurred the line between fiction and autobiography.

To me, Orwell’s description of the great creature’s heartbreakingly slow death suggests an acute awareness of wrongdoing, as do his repeated protests: “I had no intention of shooting the elephant… I did not in the least want to shoot him … I did not want to shoot the elephant.” Though Orwell shifts the blame on to the imperialist system, I think the poet did shoot the elephant. But read the sketch and decide for yourself.

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