According to Aristotle, both tragedy and epic are forms of imitation. Tragedy imitates directly by means of mimesis and epic both directly and indirectly by means of mimesis and diegesis. While epic imitates solely by means of words, tragedy also imitates by means of spectacle. Both epic and tragedy portray people better or greater than the average spectator, unlike comedy which portrays people as worse than they actually are and uses humour to dissuade us from acting badly (Aristotle's lost treatise on comedy may be summarized in the Tractatus Coislinianus; see also Eco, The Name of the Rose for interesting view of Aristotle on comedy)
Due to practical constraints of production, tragedy ideally has a single unified action which is often restricted to a specific time and place. and a small n umber of characters, while epic has a broader scope of coverage.
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In the first unqualified defeat of a British naval squadron in history, U.S. Captain Oliver Hazard Perry leads a fleet of nine American ships to victory over a squadron of six British warships at the Battle of Lake Erie during the War of 1812.
<span>A new government agency was created, the Committee on Public Information, which sold the war to the American public through pamphlets, speeches, etc.
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The second is the Industrial Revolution, and that involved the shift from farms to factories. ... Families were separated during the day, and children of the working class often had jobs in factories or coal mines (instead of going to school) because the family needed that income. Laws would later outlaw child labor.
False. D-Day (<span>6th June 1944) was actually the day the Allies invaded Normandy (France). </span>
