Answer:
Locke was a “reluctant” democrat because he favored a representative government, while Rousseau an “extreme” democrat because he believed everyone should vote. Rousseau argued that the general will of the people could not be decided by elected representatives. He believed in a direct democracy in which everyone voted to express the general will and to make the laws of the land. Rousseau had in mind a democracy on a small scale, a city-state like his native Geneva. John Locke refuted the theory of the divine right of kings and argued that all persons are endowed with natural rights to life, liberty, and property and that rulers who fail to protect those rights may be removed by the people, by force if necessary.
Explanation:
since it suspected to grow the first ward of the Supreme Court past that allowed by the Constitution.
This question is incomplete. Here's the complete question.
Which of the following was one way reformers attempted to undermine the influence of political machines?
by organizing voter registration drives in immigrant neighborhoods
by having cities adopt the council-manager form of local government
by prosecuting immigrants accused of bribery and other forms of political corruption
by establishing political councils to monitor and document the activities of the machines
Answer: by having cities adopt the council-manager form of local government
Explanation:
Progressive reformers developed a movement in the early 1900s which produced two new forms of government, and the council-manager form was one of them. This development was intended to weaken the influence of political machines in the government. Partisanism was meant to be replaced by efficiency and professionalism.
Answer:
Motivations for colonization: Spain's colonization goals were to extract gold and silver from the Americas, to stimulate the Spanish economy and make Spain a more powerful country. Spain also aimed to convert Native Americans to Christianity.
Explanation:
<span>atmospheric perspective.
</span>
<span>Da Vinci is largely responsible for formulating the rules of the effects of light and air in the landscape. It was a </span><span>method of creating the illusion of depth, or
recession, in a painting or drawing by modulating color to simulate
changes effected by the atmosphere on the colors of things seen at a distance.</span>
