The full moon shines brightly through the trees, making it my only source of light. My heart beats faster than a drum as I walk through the mysterious forest. After hours upon hours of wondering, I stumble upon a shed. Looking at it send shivers down my spine and the feeling of someone watching me strengthens. Not having any other source of shelter, I boldly walk towards the house. My vision starts to darken and my head pounds, but I continue to get closer. I can feel my body shutting down, as if I'm entering a trance. Yet I can't stop walking towards the house. My hand touches the doorknob, but at the same time I feel something touch my shoulder. I glance behind me and there it was. The next thing I knew I blacked out.
This is more of a short ish story that I rushed so you can add or delete anything you dislike, I'm not that good at writing im sorry!
'Clever' is positive, 'Most incredible' and 'Softest' are Superlative; the correct answer is D.) Worse.
to Kill a Mockingbird," Boo Radley, who has been a recluse for the last fifteen years, captures the imagination of the children. In Chapter 5, Jem and Dill attempt to send a message to Boo by tying it to a fishing pole, then casting it toward his window. However, Atticus catches them and they are forbidden to go to the Radley place without being invited. But, in Chapter 6, on a dare Jem and Dill decide to peep into the Raley's house window. When a shot rings out, Jem hastens to safety so quickly that he catches his pants upon the fence and must remove them. Later, he bravely returns for his pants, which Boo has mended. This episode alters Jem's perception of Boo Radley as the kindness of the bizarre captive of fifteen years touches Jem.
These episodes further the theme of maturation in Harper Lee's novel. The Radley place affords the children a chance to prove their bravery. And, when Atticus scolds them, they display character by not talking back to him. Also, they begin to become concerned with people's feelings who are outside their immediate circle.
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A comparison and contrast purpose used in nonfiction writing
