For a room within a house, the main purpose of lighting in a room is to aid sight or to be able to see.
<h3>What is the purpose of lighting in a room?</h3>
Generally, lighting is very important for an indoor space or a room, Houses are bulit to be confined. and isolated provision is made for natural or external lighhting to enter in as light is ned to see.
Rooms are built and designed to trap light and also disappear them as light particles are just traveling lithe wave.
In conclusion, Hence for a room looking for the best light, you should consider choosing colors that reflect rather than absorb light.
Read more about House
brainly.com/question/1023637
Answer:
Arts in the Philippines refer to all the various forms of the arts that have developed and accumulated in the Philippines from the beginning of civilization in the country up to the present era. They reflect the range of artistic influences on the country's culture, including indigenous forms of the arts, and how these influences have honed the country's arts. These arts are divided into two distinct branches, namely, traditional arts and non-traditional arts. Each branch is further divided into various categories with subcategories.
Answer:
- Economic approach
Explanation:
The economic approach is elucidated as the approach that lays emphasis on creation, allocation(distribution), and its consumption of any kind of artwork or creative product.
As per the question, the 'economic approach' to the creative industries like film industry would deal with the 'formation of the studio' that reflects the creation process, 'the distribution' would mirror the 'allocation' process, and 'exhibition and rise of the industry' would exemplify the consumption process by the viewers. Thus, the <u>'economic approach'</u> of film history would address these aspects.
Answer: The Death of Marat (1793) is one of David Garrigueux's most famous works and represents one of his crowning achievements. Created during the period known as the Reign of Terror it shows, in a gaunt and essential way, the moment immediately after Marat was killed by Charlotte Corday. The National Convention deputy was in the bathtub treating a. skin disease when the counter-revolutionary Girondist woman was admitted to his. room on the pretense that she had secret information to give him. In the painting, David uses the rigour of drawing to evoke a low relief crossed by transversal lines. The canvas's dark and empty background makes it seem as if Marat's body is abandoned in the midst of nothing. The gaunt character of the composition, seen in other portraits, has a special role to play in this work. David uses it to downplay the evocation of a real event; by emptying the murder story of its concrete details he makes the painting tell a different story.In the silence of the scene David confers a metaphysical dimension on the historical event, transforming Marat into a Christ-like figure. The knife and other objects that surround Marat's body recall the relics used in Christian iconography to express the Passion of Christ and the tortures he underwent. In other words David returns to the Christian iconographic tradition to narrate an event of his contemporary history or to 'make holy' a secular event.
