In "The Book of Martha,” the sacrifice and the ways to improve humanity are the moral dilemmas faced by Martha. It reveals the confident and helping nature and positively influences the plot of the story.
<h3>What is a moral dilemma?</h3>
A moral dilemma is a situation where the person can only honor one of the values or the duties that they consider to be beneficial. Here in the story, Martha faces the dilemma of improving the human race for the betterment by making a sacrifice.
The dilemma made the readers understand her choices and decision-making ability. Her first impression and thoughts about god change throughout the story and now she feels confident in making a change.
The plot and the theme change as Martha become capable of making a decision that will benefit society and allow the people to have personal satisfaction.
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Can I have Branliest for the Correct Answer?
Very often things like flashbacks, flash forwards, non-linear narratives, multiple plots and ensemble casts are regarded as optional gimmicks stuck into the conventional three act structure. They're not. Each of the six types I've isolated and their subcategories provides a different take on the same story material. Suddenly, one idea for a film can give you a multitude of story choices. What do I mean?
More than six ways to turn your idea into a film. Let's imagine that you've read a newspaper article about soldiers contracting a respiratory disease from handling a certain kind of weaponry. You want to write a film about it. Conventional wisdom says create one storyline with one protagonist (a soldier who gets the disease) and follow that protagonist through a three act linear journey. There's no question that you could make a fine film out of that. But there are several other ways to make a story out of the idea, and several different messages that you could transmit - by using one of the parallel narrative forms.
<span>Would you like to create a script about a group of soldiers from the same unit who contract the disease together during one incident, with their relationships disintegrating or improving as they get sicker, dealing with the group dynamic and unfinished emotional business? That would be a shared team 'adventure', which is a kind of group story, so you would be using what I call </span>Multiple Protagonist<span> form (the form seen in films like Saving Private Ryan or The Full Monty or Little Miss Sunshine, where a group goes on a quest together and we follow the group's adventure, the adventure of each soldier, and the emotional interaction of each soldier with the others). </span>
Alternatively, would you prefer your soldiers not to know each other, instead, to be in different units, or even different parts of the world, with the action following each soldier into a separate story that shows a different version of the same theme, with all of the stories running in parallel in the same time frame and making a socio-political comment about war and cannon fodder? If so, you need what I call tandem narrative,<span> the form of films like Nashville or Traffic. </span>
Alternatively, if you want to tell a series of stories (each about a different soldier) consecutively, one after the other, linking the stories by plot or theme (or both) at the end, you'll need what, in my book Screenwriting Updated I called 'Sequential Narrative', but now, to avoid confusion with an approach to conventional three act structure script of the same name, I term Consecutive Stories<span> form, either in its fractured state (as in Pulp Fiction or Atonement), or in linear form (as in The Circle). </span>
Syntax affects setting by making description of place and time very easy to understand.
Syntax is termed as set of processes, rules, and principles which are known to govern the structure of a sentence.
It also studies the processes and principles where there is object, subject, verb we say there is sequence of syntax.
Answer:
We examined the frequency
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I hope this helps!
Answer:
Deping on how people mean it and it is going to far or it is ok to say
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