Answer:
1. He employed layering and overlapping
2. He painted the church in a dim color and used bright orange colors for the closer features in the foreground
3. He also used lighting
Explanation:
The Barfüsserkirche II (Church of the Minorities II) painting by Lyonel Feininger was done in 1926 and it depicted a church that may not be instantly recognized as such by an observer, surrounded by a building in the background. A ray of light seems to illuminate the church making it quite discernable.
The church seems to be deep into the background and this illusion was achieved through the dim color used for the church and the brighter colors used for the buildings encircling the church. Layering and overlapping were also used to create depth when the buildings in the foreground were placed in front while the church was placed in the background.
Tablature is a system of musical notation based on a player's finger position, as opposed to notes showing rhythm and pitch. The above is an instance of Italian tablature.
<h3>What
is an Italian tablature?</h3>
Numbers are used in place of letters, with 0 being an open string, 3 the third fret, etc. Normally, in music intabulated this way, the lowest line is the highest pitches course.
Therefore, the correct answer is an Italian tablature.
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Answer:
It brought about a general revival in classical thought that mirrored what was going on in political and social arenas of the time, leading to the French Revolution. The primary Neoclassicist belief was that art should express the ideal virtues in life and could improve the viewer by imparting a moralizing message.
Types and methods of notation have varied between cultures and throughout history, and much information about ancient music notation is fragmentary. Even in the same time period, such as in the 2010s, different styles of music and different cultures use different music notation methods; for example, for professional classical music performers, sheet music using staves and noteheads is the most common way of notating music, but for professional country music session musicians, the Nashville Number System is the main method.
The symbols used include ancient symbols and modern symbols made upon any media such as symbols cut into stone, made in clay tablets, made using a pen on papyrus or parchment or manuscript paper; printed using a printing press (c. 1400s), a computer printer (c. 1980s) or other printing or modern copying technology.
Although many ancient cultures used symbols to represent melodies and rhythms, none of them were particularly comprehensive, and this has limited today's understanding of their music. The seeds of what would eventually become modern western notation were sown in medieval Europe, starting with the Catholic Church's goal for ecclesiastical uniformity. The church began notating plainchant melodies so that the same chants could be used throughout the church. Music notation developed further in the Renaissance and Baroque music eras. In the classical period (1750–1820) and the Romantic music era (1820–1900), notation continued to develop as new musical instrument technologies were developed. In the contemporary classical music of the 20th and 21st century, music notation has continued to develop, with the introduction of graphical notation by some modern composers and the use, since the 1980s, of computer-based score writer programs for notating music. Music notation has been adapted to many kinds of music, including classical music, popular music, and traditional music.
