Answer:
La ópera: Son cantantes que cantan réquiems y por lo general lo hacen en un teatro acompañado de una orquesta.
La zarzuela:
El teatro musical: Presentación de una historia en un teatro con público en el que los actores, cantan mientras cuentan la historia.
El performance:
El cabaret:
El recital:
Los guiñoles:
Los títeres: son muñecos que se pueden manejar mediante ponerse en las manos o mediante hilos que los controlan. Por lo general, las personas que los manejan, presentan historias.
El circo: es un lugar en el que se presentan animales, actores y magos en los que tratan de asombrar a los espectadores y entretenerlos.
Explanation:
Answer:
repetition, proximity, and continuation
It was established to overcome the restrictions of the Salon system. Hope this helps!!
Pastels are chalk. It is dry pigment, mixed with a dry binder placed on a textured surface to hold the pigment to the paper. It doesn’t involve any liquid of any kind. Acrylics are a dry pigment, mixed with a liquid binder placed on pretty much any kind of surface that is properly prepared with gesso or some kind of acrylic medium. Water or liquid mediums are involved in the application of the paint. Acrylics cannot be put over top of pastels as the dry pigment doesn’t allow the acrylic paint to bind to the substrate. You can put pastel over top of acrylic ONLY if you use an acrylic ground medium specifically designed for pastels. It kind of feels like sandpaper after you apply it and it dries clear. You will have to put a fixative on the pastel if you are using it on a canvas substrate, and that is a whole other topic of discussion.
For instance, Emperor Qianlong is famous for his extensive collections of Chinese art, which superseded in scale even those of the Ming dynasty, but also for his preservation of Manchu heritage (through the commission of histories, genealogies, etc.) It was thus that the Qing dynasty was able to develop it’s art, not only through the preservation of Manchurian tradition, but through the assimilation of the culture of the nations they conquered. One can easily find portraits depicting the Qianlong Emperor as a Buddhist God in Tibetan fashion, the Yongzheng Emperor dressed as a Mongol, or even as a French Noble, etc.Naturally, as a result of the increasingly ubiquitous Western world, Chinese art would come to reflect its most prized aesthetic values: the most dominant of these, that was not present in the art of the “orient”, was realism
hope this helps
