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swat32
3 years ago
12

You should avoid having people in your photographs of signs. True False

Arts
2 answers:
grin007 [14]3 years ago
8 0

Answer:

true

Explanation:

Vikentia [17]3 years ago
7 0

Answer:

true................

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Discuss Pierre-Auguste Renoir’s evolving Impressionist style in The Bathers, and explain why he changed his style.
wariber [46]

Answer:

Of all the Impressionist artists, Renoir in particular changed his style in the 1880s. He came to believe that his work was too focused on the present time, meaning Paris in the 1880s. He worried that future viewers would not be interested in his art because it would become irrelevant. He therefore began painting subjects that were more "timeless," as opposed to scenes that were clearly set in present-day Paris. In contrast to his earlier works, like Le Moulin de la Galette, or other Impressionist works, like Manet's A Bar at the Folies-Bergere, Renoir's later works do not feature subjects that are so obviously late-19th century Parisians.

Explanation:

The Bathers is an excellent example of this shift in Renoir's works. The women are more classical in appearance. While they could be 19th century Parisian women on the banks of the Seine (the river that runs through Paris), since they are undressed they are difficult to place definitively in time. The painting has other features that are also indicative of a change in Renoir's style. The figures are rendered with much more detail; in contrast to Le Moulin de la Galette, it is clear that Renoir focused more on carefully painting the figures in The Bathers, rather than painting quickly as in the earlier work. Still, the background retains the Impressionist style of quick, rough brushstrokes, and the bright colors are also typical of Impressionist art. Although The Bathers shows a move away from the original tenets of Impressionism, it retains enough of the style to still be considered an Impressionist work.

5 0
2 years ago
One of the contrasts between the Baroque and Classical styles of music has been described this way: The Baroque style of music h
UkoKoshka [18]

Answer:

FALSE

Explanation:

The Baroque style is complex and distinctive while the Classic is more light and rational, but both have a lot of drama, situation and action.

Baroque music, as well as folk art and architecture of the Baroque period, places an emphasis on adornment. Immediately after the Renaissance, Baroque composers were the first to establish multiple instrumentation and use complex harmonies in their compositions. Baroque music favored the strings and other harpsichord instruments, while the classical period preferred the piano, brass and wind instruments. Baroque music also allowed much more improvisation of classical music and featured many more opportunities for soloing ensemble. Baroque composers were also the first to establish opera as a musical genre.

Classical music is generally considered to have started with the invention of sonata. Early classical music was one of the first to express two different moods using sonatas - one more lyrical and one fast-paced - while Baroque music, and its predecessors composed only one mood per movement. The classical era also saw the emphasis on the piano as the main instrument used for performing compositions. Classical composers are governed by many structure rules, notably the evolution of ABA rondo style or ABACA, as opposed to the more common ABACABA baroque rondo style.

5 0
3 years ago
6. Read the following statements and tick V for true and F for false. a) Great admirers of Greek art, the Roman sculptors gave t
trapecia [35]

Answer:

As in Roman sculptures, the reliefs sculpted on monuments erected to celebrate some important feat of the empire, received very realistic representation.

3 0
3 years ago
“Here we will consider not only questions of black and white,but also the question black and blacker. Can such a distinction wit
Natalija [7]

Answer:

Abstract

In this article, I demonstrate that the intersection of race, class, generation, and education had a decisive impact on African American rock musicians who came of age during the post-civil rights era from the late 1960s to the present. By analyzing life stories, I connect rock musicians' experiences with school desegregation to the position they occupy between black and white mainstreams and discuss how they critique discourses of black authenticity through the identities and practices they have produced as members of the Black Rock Coalition. I also consider the effects of racism and racializing discourses on this group of African Americans. [African American identity, music, black middle class, race and class, generation, life stories, United States]

Journal Information

American Ethnologist is a quarterly journal concerned with ethnology in the broadest sense of the term. The editor welcomes manuscripts that creatively demonstrate the connections between ethnographic specificity and theoretical originality, as well as the ongoing relevance of the ethnographic imagination to the contemporary world.

Publisher Information

Wiley is a global provider of content and content-enabled workflow solutions in areas of scientific, technical, medical, and scholarly research; professional development; and education. Our core businesses produce scientific, technical, medical, and scholarly journals, reference works, books, database services, and advertising; professional books, subscription products, certification and training services and online applications; and education content and services including integrated online teaching and learning resources for undergraduate and graduate students and lifelong learners. Founded in 1807, John Wiley & Sons, Inc. has been a valued source of information and understanding for more than 200 years, helping people around the world meet their needs and fulfill their aspirations. Wiley has published the works of more than 450 Nobel laureates in all categories: Literature, Economics, Physiology or Medicine, Physics, Chemistry, and Peace. Wiley has partnerships with many of the world’s leading societies and publishes over 1,500 peer-reviewed journals and 1,500+ new books annually in print and online, as well as databases, major reference works and laboratory protocols in STMS subjects. With a growing open access offering, Wiley is committed to the widest possible dissemination of and access to the content we publish and supports all sustainable models of access. Our online platform, Wiley Online Library (wileyonlinelibrary.com) is one of the world’s most extensive multidisciplinary collections of online resources, covering life, health, social and physical sciences, and humanities.

4 0
3 years ago
which statement about Mary Lin or her memorials is true. ..she makes memorials of real objects....she was in college when the vi
GenaCL600 [577]
She created memorials that how people should think
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3 years ago
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