Answer:
“the feeling” aspect of consciousness, characterized by a certain physical arousal,
Explanation:
In the first element, a person feels an emotion and become conscious of what they are feeling. In the second element, person has a physical arousal as a result of that feeling which might be joy, anger, guilt, rage etc. the third element is to reveal the feeling to the outside world with their behavior.
The drama is a very ancient form of art, and reached a high pitch of excellence in ancient Greece, which produced such great dramatists as Aeschylus, Sophocles, Euripides and the satirist Aristophanes. The Greeks were passionately fond of the theatre, and crowded to see and hear the plays of these great poets.
In England, the drama came into full flower in the age of Queen Elizabeth, and the number of able Elizabethan dramatists, of whom Shakespeare was the greatest, shows what an intense interest the English people took in the theatre.
The actual theaters in those days were very primitive, and scarcely any scenery was used; but the dramas produced are the greatest in English literature.
Theatres today are places of amusement, resorted to, as a rule, in the evening after the work of the day. The buildings are large and comfortable, and the scenery is magnificent and realistic.
The scenic arrangements delight the eye, the music charms the soul, and the situations created by the plot are such as to arouse the interest, and make us lose the sense of our own troubles and worries in sympathy with the joys and sorrows of those who are impersonated upon the stage.
Theatres being looked upon, in modern times, largely as places of recreation, the public demands amusement, “and those representations which are of a cheerful and joyous nature, those plots which involve the characters in trouble and leave them in possession of unalloyed happiness, are the most popular, even though in many cases they are untrue to life. There is, however, another side to the question. The English stage was most flourishing in the time of Queen Elizabeth. The dramatists of that day looked upon amusement as only a part of their duties. Many men of lofty and penetrating intellect used the theatre as a medium for the expression of their thoughts and ideas.
Their aim was to ennoble and elevate the audience, and imbue it with their own philosophy, by presenting noble characters working out their destiny amid trials and temptations, and their pictures, being essentially true to nature, acted as powerful incentives to the cultivation of morality.
Shakespeare stands preeminent among them all, because by his wealth of inspiring thought he gives food for reflection to the wisest, and yet charms all by his wit and humour and exhibits for ridicule follies and absurdities of men.
It is a great testimony to the universality of his genius that, even in translations, he appeals to many thousands of those who frequent Indian theatres, and who differ so much in thought, customs and religion from the audiences for which he wrote.
The answer is
1=D
2=C
3=E
4=B
5=A
6=B
I hope you find this useful :D
Answer:
Subject Verb / Indirect Object / Direct Object. She taught the naughty boy a lesson. Kyle told Madison a secret. Arthur sold Ricky his old car.
Explanation:
Hopefully this helps you
Answer:
I researched Ilya Repin, and he was mostly a Realist. I say this because he painted country folk in common settings, but also painted lots of conflicts between people. He also painted dramatic works, but he still focuses his characters and settings on Realist and less idealized versions of society andthe people in it. He was impactful in society, especially to Russian and Ukrainian culture. Repin is known for the psychological impacts that his paintings made, and he was called a new interpreter of Russian life. One of his most famous paintings was with Ivan the Terrible and his son and was dramatic and sad, but grotesque and realistic. Repin was one of the first Russian artists to become successful in Europe using only Russian themes and people. He was the leader of the new artistic movement in Russian art called critical realism because he chose to paint nature and characteristics of society over the typically studied formalities. He also criticized the typical sugar-coated versions of society and strived to paint Russian individuals in a more honest and spiritual light. He was very politically active in the Bolshevik and Russian Revolutions, and this showed in his paintings. He felt personally accountable for the rough lives of the common
