Answer:
Adversity can be overcome, or at least countered, by an individual's strength of spirit.
Explanation:
In this poem, the poet explains the strength and will lie in the subject of the poem. From the first stanza, the poet uses the verb to rise to show that no matter how difficult consequences are there is a strong feeling that moves the subject of poem to fight. In poetic pictures written in this poem, the readers can notice how the poets make comparisons to nature. In the second stanza, it is shown how the subject looks up to nature and moves towards it. In the third stanza, the scenes of weaknesses serve as impulsion to overcome adversity. Through the whole poem, the poet uses pictures of rising and overcoming by citing situations that the subject will have to fight it.
An individual's strength of spirit dominates as the main feeling in the poem. This helps the subject to overcome the adversity.
I never knew
I think
I REAPT I THINK
Answer:
The answer of this question is given below in the explanation section.
Explanation:
In this question it is asked about the Mandy character that how it is contributed to the theme of story.
Four different options are given as below in the question
- Mandy’s decision to travel back in time shows the dangers of technology
- Mandy’s longing for real food shows that scientific advancement comes at a price
- Mandy’s escape from MasterChef shows that scientific advancements are useful to most people
- Mandy’s love of cooking illustrates that people should follow their dreams in spite of any obstacles
The correct option of this question is 4 i.e:
Mandy’s love of cooking illustrates that people should follow their dreams in spite of any obstacles
i think they should after wat happen in florida tbh but also say nu because a kid might get their hands on it
Answer:
Option C
Explanation:
“An Occurrence at Owl Creek Bridge” is an elaborately devised commentary on the fluid nature of time. The story’s structure, which moves from the present to the past to what is revealed to be the imagined present, reflects this fluidity as well as the tension that exists among competing notions of time. The second section interrupts what at first appears to be the continuous flow of the execution taking place in the present moment. Poised on the edge of the bridge, Farquhar closes his eyes, a signal of his slipping into his own version of reality, one that is unburdened by any responsibility to laws of time. As the ticking of his watch slows and more time elapses between the strokes, Farquhar drifts into a timeless realm. When Farquhar imagines himself slipping into the water, Bierce compares him to a “vast pendulum,” immaterial and spinning wildly out of control. Here Farquhar drifts into a transitional space that is neither life nor death but a disembodied consciousness in a world with its own rules.