The Negro Artist and the Racial Mountain” In (1926) was a short essay written by poet Langston Hughes for The Nation magazine. It became the manifesto of the Harlem Renaissance. In it Hughes said that black artists in America should stop copying whites, that they will never create anything great that way. Instead they should be proud of who they are, proud to be black, and draw from black culture. Not “white is right” but, as we would now say, “Black is beautiful”.
Answer:
Gilgamesh is so full of grief and sorrow over his friend that he refuses to leave Enkidu's side, or allow his corpse to be buried, until six days and seven nights after his death when maggots begin to fall from his body.
Explanation:
Here comes the sleek and dapper politician,
He smiles and waves, promising what he will not give.
But sadly, his unfulfilled promises we will always forget and forgive.
pilgrims walking from London to Canterbury, provided some insight into the customs and injustices of 14th-century English society; Refugee Tales does the same for 21st-century Britain. It focuses on the experiences of asylum-seekers who have been held at Brook House and Tinsley House, detention centres in Kent, and the cruelty and inefficiency of the country’s immigration system.
The fifth edition of the event took place earlier this month, and it brought together 150 volunteers and refugees on a five-day, 60-mile journey from Brighton to Hastings. By day they walked and talked; each night they stopped in a different town to stage a performance. Local audiences were invited to listen to readings of stories such as “The Fisherman’s Tal
Answer:
Examining evidence requires careful and detailed work.
Explanation:
Iready 100%
