Given the inability to properly understand the artworks of the Pre-Columbian era in the Americas, as well as the inability to preserve them for historical analysis, the knowledge surrounding these works of art is limited due to the limited amount of information that is provided to us.
Hope this helps!
I believe the
correct answer is: Mandara.
East Asian Esoteric
Buddhism, founded in the early 9th century (Heian period) and referred to as mikkyō
(secret teaching) in Japan, was influenced by polytheistic religions, from
which the main characteristic was mandara/mandala. Mandara is the way of spiritually
and ritually representing the universe through chart or geometric pattern.
Does our culture consider cooks and carpenters to be as high in their status as lawyers or doctors (remember I'm not asking what we think, but what value our culture generally gives to those professions)? Our culture creates a distinction that we sometimes refer to as "blue collar" work versus "white collar" work.
In the Middle Ages and even for much of the Renaissance, the artist was seen as someone who worked with his hands—they were considered skilled laborers, craftsmen, or artisans. This was something that Renaissance artists fought fiercely against. They wanted, understandably, to be considered as thinkers and innovators. And during the Renaissance the status of the artist does change dramatically, but it would take centuries for successful artists to gain the extremely high status we grant to "art stars" today (for example, Pablo Picasso, Andy Warhol, Jeff Koons, or Damien Hirst).
Answer:
Maybe draw a person out of trash?
Explanation:
I say this because it is about human nature and is kinda funny if you think about it.
