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Eric Hobsbawm, the Marxist British historian, wrote a book called The Short Twentieth Century. The 20th Century had been shorter than other centuries because it had begun in 1914 with the outbreak of the First World War and terminated of course early in November 1989 with the fall of the Berlin Wall. The problem however, and of course we historians we like problems, is that everybody knew what we had left behind with the fall of the wall, but nobody knew what we were heading towards. As Douglas Hurd, the British Foreign Secretary at the time, put it, “this was a system [the Cold War], this was a system under which we had lived quite happily for 40 years.” Or as Adam Michnik, again my Polish solidarity intellectual, put it “The worst thing about communism is what comes afterwards.” While our populations were in jubilation in front of the television screens or on the streets of Berlin, governments were, it has to be said, seriously worried about the implications of this unforeseen, uncontrolled and uncontrollable collapse of the Warsaw Pact and the communist system. Tom Wolf, the American author, at the time had a bestseller called the Bonfire of the Vanities and a British MP that I knew at the time famously rephrased that as the ‘bonfire of the certainties.’ All of the reference points with which we’d lived for half a century and which had organized our diplomacy, our military strategy, our ideology, were like as many props that were suddenly pulled from us.
The treaty which ended World War I led to the start of World War II less than 20 years later this is because how harsh it treated Germany and how angry Germans were about this situation also they forced Germany to admit all guilt for the war and they require Germany to pay a large amount of money in reparations to the allies
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Harlem Renaissance, a blossoming (c. 1918–37) of African American culture, particularly in the creative arts, and the most influential movement in African American literary history. Embracing literary, musical, theatrical, and visual arts, participants sought to re conceptualize “the Negro” apart from the white stereotypes that had influenced black peoples’ relationship to their heritage and to each other. They also sought to break free of Victorian moral values and bourgeois shame about aspects of their lives that might, as seen by whites, reinforce racist beliefs. Never dominated by a particular school of thought but rather characterized by intense debate, the movement laid the groundwork for all later African American literature and had an enormous impact on subsequent black literature and consciousness worldwide. While the renaissance was not confined to the Harlem district of New York City, Harlem attracted a remarkable concentration of intellect and talent and served as the symbolic capital of this cultural awakening.
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During fighting, Sergeant Michael Dunne of the Canadian `Fighting Tenth' battalion is wounded in action and returned home to Calgary. Diagnosed as neurasthenic, he is honourably discharged and put to work in recruiting troops for the front.
