Answer:
On the first day of school, Victor stood in line half an hour before he came to a
wobbly card table. He was handed a packet of papers and a computer card on which he listed his
one elective1
, French. He already spoke Spanish and English, but he thought some day he might
travel to France, where it was cool; not like Fresno, where summer days reached 110 degrees in
the shade. There were rivers in France, and huge churches, and fair-skinned people everywhere,
the way there were brown people all around Victor
Answer:
Yes
Explanation:
Both of them explain certain and specific evidence to help support their numbers which gives them an example of what they impact and how they can change it by changing certain possibilities. They also both describe how if they do change certain things it will not only help now but also in the long run.
Rising action in a plot is a series of relevant incidents that create suspense, interest, and tension in a narrative. In literary works, a rising action includes all decisions, characters’ flaws, and background circumstances that together create turns and twists leading to a climax. We find it in novels, plays, and short stories.
Answer:
To answer the question, one must define who the market is to the artist.
The fourth paragraph gives us a clue:
"...critics, dealers, gallery owners and museum curators whom they depend on for their livelihood."
Very clear isn't it?
So to the artist the market is made up of:
- Critics: an endorsement by a critic or a poisonous remark (if flipped) can give an artist the break they have been looking for;
- dealers: these category are more like brokers. Buying, selling and consulting on art works for a fee;
- owners of art works: These are direct 'consumers' for the artists products.
- museum curators: this category manage collections of works of art and artifacts in museums. They have sound knowledge of each art work and can also influence decisions during an auction by the museum.
Regardless of their dependence on the above categories of people, the text shows that the artist have a disdain for them.
A possible reason may be found in paragraph 5 :
<em>'In shredding “Girl With Balloon,” Banksy seems to be pointing to a central absurdity of his graffiti art being treated as fine art. When it appears on city streets, anyone can vandalize it; now that the same images are in galleries and auction houses, they must be handled with white gloves.'</em>
In simple terms, Banksy is saying that majority if not all artists don't have a complete say over how their work is valued. There is a system that decides this. And this lack of power or inability to insist on the true worth of their work is annoying.
Cheers!
