The answer choice that does not contain any capitalization errors is B) "Even mature children," he said, "have no patience for a long delay."
I believe it would be B, because there are two subjects that the speaker is referring to at the beginning of the sentence; the caterpillar and the leaf. When they use the word "it" in the second half of the sentence it is unclear whether they mean to say if "it" is the leaf or the caterpillar which they are carrying to their brother.
<span>Washington Irving's stories can best be categorized as Romantic fiction. He is famous for his supernatural occurrences in the stories such as Rip Wan Winkle or the Legend of the Sleepy Hollow, which have inspired numerous other authors such as Hawthorne and Melville.</span>
I can help, just message me and I’ll try my best
Answer:
A Adderley: bluesy and grounded in the beat; Coltrane: soaring mystically above the melody and freer in the rhytm aspect.
B Influenced by Parker but by the time of his stay with Miles Davis and John Coltrane, already incorporating a kind of fluid playing with more rhythmic freedom.
C Harmonically dense but still rhytmically relaxed as Lester Young.
D The genius of the piano displays rhytmical and harmonical freedom in his solo. His use of stretched triple notes is remarkable and unique
Explanation:
B Cannonball Adderley, equipped with the understanding and technique of Charlie Parker, had always played closely following and emphasizing the beat.
A In his 4 choruses solo in love for sale Adderley is noted for staying close to the melody and harmony of the song, but at the same time singing and flying like Charlie Bird Parker.
C Although Coltrane was heavily influenced by the old master, Coleman Hawkins, his style leaned more toward the looser-swinging jazz of Lester Young.
A In his solo of 4 choruses´s in Love for sale Coltrane moves freely atop the rhythmic pulse and doesn´t stick very close to the melody.
D Bill Evans´s solo is impressive from the first chorus on. He displays an off-beat melody and on bars 25 to 32 he exhibits a triple feel over the duple meter. The bridge of the next two choruses is used to freely improvise.
