Answer: Interestingly enough, there has always been a Wilsonian strain in American foreign policy, an idealistic belief in self-determination, and in some ways it was suppressed during the Cold War ”1 Thus, contrary to President Wilson’s ideas and the public opinion of the early 1900s, war still exists and will continue to exist. However, the objectives, or at least the public’s perceptions of American foreign policy, have taken on a new role. Americans have typically been idealists. Idealism has been present in the American mindset from its founding days and to an extent in American foreign policy; however, under President Wilson’s leadership, idealism took on an expanded role in American foreign policy.
Woodrow Wilson said on the eve of his inauguration “that his primary interests were in domestic reform and that it would be ‘the irony of fate’ if he should be compelled to concentrate on foreign affairs.”2 Fate would have it that President Wilson would lead the United States through the greatest war the world had ever seen. Although Wilson had limited leadership experience in foreign affairs in 1914 when war broke out in Europe, he knew how things should take place.
Explanation:
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Answer:
Establishing the Roanoke Colony and chartering the East India Company during Elizabeth's reign was an onset of what would turn into the powerful British Empire. The Elizabethan age inspired national pride through classical ideals, international expansion, and naval triumph over the Spanish
Explanation:
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Gary v. State of Oklahoma
Sipuel v. Board of Regents of University of Oklahoma.
The answer is D , Buddhism’s , Hope this is the correct answer
Answer:
The convention of representation depicted in the Lascaux cave paintings where the heads of the animals are in profile but their horns are facing forward is called the twisted perspective.
Explanation:
The Lascaux cave paintings (c. 17,000 BCE) are remarkable because the animals are depicted with a lot of vitality and detail for the time period. The Timeline of Art History on the MET's website describes cave paintings and engraving appearing on the ceilings or walls of caves as “parietal” art. It is likely the caves were more for ceremonial purposes than for providing a group or community shelter. At Lascaux, the artists used outlines for precision and detailed them with soft colorings that they likely blew onto the depictions using a straw-like tool. The animals at Lascaux are typically painted with a slight twisted perspective. This gives the drawing more visual power and sense of the animal in movement because their horns or antlers are painted from the front, but their heads are in profile. Scholars who have analyzed the paintings have found that this twisted perspective is also used in artwork originating from Mesopotamia and Egypt.
