Answer:
your best at giving tonation to the picture...
Explanation:
this poem is nice, perfect even
Answer:
1. A fact sheet with his references and important information.
2. Job applicant
3. Americans with Disabilities Act of 1990 (ADA)
Explanation:
Plz give me brainliest.
Answer:
Designers will literally set their designs down on paper using fashion illustration. They are free to express themselves and their interests. Designers may use animation to help them come up with fresh ideas by putting their creative and authentic ideas into practice. Fresh fashion trends are born as a result of this. A client can see the fore of the soon-to-be-made dress through sketches, illustrations, or even sculptures, and even propose corrections.
Hope this helps!
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Manga Ormolu enters the dialogue on contemporary culture, technology, and globalization through a fabricated relationship between ceramic tradition (using the form of Chinese Ming dynasty vessels) and techno-Pop Art. The futuristic update of the Ming vessels in this series recalls 18th century French gilded ormolu, where historic Chinese vessels were transformed into curiosity pieces for aristocrats. But here, robotic prosthetics inspired by anime (Japanese animation) and manga (the beloved comics and picture novels of Japan) subvert elitism with the accessibility of popular culture.
Working with Asian cultural elements highlights the evolving Western experience of the “Orient.” This narrative is personal: the hybridization of cultures mirrors my identity as an ethnically-mixed Asian Canadian. My family history is one of successive generations shedding the markers of ethnic identity in order to succeed in an adopted country – within a few generations this cultural filtration has spanned China, India, Trinidad, Ireland and Canada.
While Manga Ormolu offers multiple points of entry into sociocultural dialogue, manga, by nature, doesn’t take itself too seriously. The futuristic ornamentation can be excessive, self-aggrandizing, even ridiculous. This is a fitting reflection of our human need to envision and translate fantastic ideas into reality; in fact, striving for transcendence is a unifying feature of human cultural history. This characteristic is reflected in the unassuming, yet utterly transformable material of clay. Manga Ormolu, through content, form and material, vividly demonstrates the conflicting and complementary forces that shape our perceptions of Ourselves and the Other.
