When we read books, the stories in them transport us from the world we are in to the world within the pages of the book. To be transported by a book requires the reader to have an emotional response to the book, to visualise the story and eventually, become immersed in it. As a reader, I consider myself lucky to have read several books that have made me lose awareness of my existing surroundings and drawn me into the story unravelling in the book.
“There’s always room for a story that can transport people to another place.” – J.K. Rowling
When I think of being transported by a book, a recent incident comes to my mind. On a winter morning, I had boarded a train to Furkating, a small town in Assam. It was a bleak morning and the sun was a pale yellow, melting into a silver sky. In a compartment colder than December, I sat tucked in my winter clothes amidst rows of filled seats. As the train started with a jolt, I brought out a book from my overstuffed handbag and started reading the first chapter.
Soon, I was deeply engrossed in the story and before I knew it half an hour had passed… The train was starting to slow down as we had reached a station; on a cemented slab in yellow, the letters read ‘Panbari’. Some of the seats in front of me that were previously filled now lay empty. Two of the solo passengers who sat ahead of me had struck up a conversation about the weather in Dimapur – probably the place they were heading to. The winter sun was now splattered across the sky and shining over thatched-roof villages that we were fast leaving behind as the train gained momentum.
Mary Balogh describes it perfectly, “Have you ever wanted to travel back in time? I know I have. And I think that’s why historical romance is so appealing. That experience of being so immersed in the story that it feels like you’re really there: strolling along in a moonlit rose garden with a duke, or taking tea in a lady’s finely appointed drawing room. And if you’re the adventurous type (like me), perhaps you find yourself riding on a cable car in San Francisco, or exploring the canals of Venice in a gondola. Whatever the tale, these new experiences are just waiting to be discovered; beckoning you, enticing you, entreating you to pause, to sit down and to spend time between the pages of a good book.”
By - Prarthana Banikya
Thanks hope this helps!
As for this problem, the most probable and the most likely answer for this would be D. my father drove me to the field where the team practices.
On the first option, I told my parents I wanted to play on the softball team this year, there isn't an adverb clause to be found. On the second option, do you play on any of the local sports teams, there isn't an adverb clause to be found, too. On the third option, I believe the team practices on Monday and Thursday afternoons, there isn't an adverb clause to be found again. On the last option, my father drove me to the field where the team practices, the adverb clause would be where the team practices.
Madison’s version of the speech and press clauses, introduced in the House of Representatives on June 8, 1789, provided: “The people shall not be deprived or abridged of their right to speak, to write, or to publish their sentiments; and the freedom of the press, as one of the great bulwarks of liberty, shall be inviolable.” The special committee rewrote the language to some extent, adding other provisions from Madison’s draft, to make it read: “ The freedom of speech and of the press, and the right of the people peaceably to assemble and consult for their common good, and to apply to the government for redress of grievances, shall not be infringed.” In this form it went to the Senate, which rewrote it to read: “That Congress shall make no law abridging the freedom of speech, or of the press, or the right of the people peaceably to assemble and consult for their common good, and to petition the government for a redress of grievances.” Subsequently, the religion clauses and these clauses were combined by the Senate. The final language was agreed upon in conference.
Answer:
"So what? It's not lethal..."
Explanation:
Elie's father attempts to downplay the significance of the decree by telling his son, "The yellow star? So what? It's not lethal . . . "
