The correct way to put this would be I hardly have five hours of sleep a night upon arrival, but it's worth it.
After reading the excerpt from "Animal Farm" in which the commandment is changed, we can say we have an example of the following type of satire:
A. Reversal, because the commandment has changed in meaning.
<h3>What is reversal?</h3>
- The type of satire known as reversal happens when the author changes a situation, inverting the way things would normally be, usually with the purpose of making it absurd.
<h3>How is this excerpt an example of reversal?</h3>
- Originally, the commandment created by the animals living in Animal Farm was that all animals are equal. That was their aim - to create a society where animals were equal, treated fairly, and able to live freely and happily.
- However, with the new commandment, the situation has changed drastically. The pigs, who are the rulers of the farm, are now behaving like humans. They see themselves as superior to the other animals, and the commandment makes that clear.
- The situation has been so completely reversed that the animals are back to square one, as if they were still subjugated to humans, rather than ruling themselves.
With the information above in mind, we can choose letter A as the best option.
Learn more about "Animal Farm" here:
brainly.com/question/13717719
Can I have Branliest for the Correct Answer?
Very often things like flashbacks, flash forwards, non-linear narratives, multiple plots and ensemble casts are regarded as optional gimmicks stuck into the conventional three act structure. They're not. Each of the six types I've isolated and their subcategories provides a different take on the same story material. Suddenly, one idea for a film can give you a multitude of story choices. What do I mean?
More than six ways to turn your idea into a film. Let's imagine that you've read a newspaper article about soldiers contracting a respiratory disease from handling a certain kind of weaponry. You want to write a film about it. Conventional wisdom says create one storyline with one protagonist (a soldier who gets the disease) and follow that protagonist through a three act linear journey. There's no question that you could make a fine film out of that. But there are several other ways to make a story out of the idea, and several different messages that you could transmit - by using one of the parallel narrative forms.
<span>Would you like to create a script about a group of soldiers from the same unit who contract the disease together during one incident, with their relationships disintegrating or improving as they get sicker, dealing with the group dynamic and unfinished emotional business? That would be a shared team 'adventure', which is a kind of group story, so you would be using what I call </span>Multiple Protagonist<span> form (the form seen in films like Saving Private Ryan or The Full Monty or Little Miss Sunshine, where a group goes on a quest together and we follow the group's adventure, the adventure of each soldier, and the emotional interaction of each soldier with the others). </span>
Alternatively, would you prefer your soldiers not to know each other, instead, to be in different units, or even different parts of the world, with the action following each soldier into a separate story that shows a different version of the same theme, with all of the stories running in parallel in the same time frame and making a socio-political comment about war and cannon fodder? If so, you need what I call tandem narrative,<span> the form of films like Nashville or Traffic. </span>
Alternatively, if you want to tell a series of stories (each about a different soldier) consecutively, one after the other, linking the stories by plot or theme (or both) at the end, you'll need what, in my book Screenwriting Updated I called 'Sequential Narrative', but now, to avoid confusion with an approach to conventional three act structure script of the same name, I term Consecutive Stories<span> form, either in its fractured state (as in Pulp Fiction or Atonement), or in linear form (as in The Circle). </span>
