We judge the quality of music works and performances by averting our attention to the sounds instruments make. The dramatic facial expressions actors/actresses portray on their face. The technique musicians use while playing their instrument. The way the costumes are designed in a performance. If the guest speaker in a performance stuttered or forgot a pat of their speech. If a composer’s sheet music dropped in the middle of composing a recital/performance/play. To sum it up, we pay attention to the little details in the things we see/witness, which makes us quick to judge.
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Answer:
Dear General Your soldiers are giving up on the battleThe question as to the nature of the whole, whether it is infinite in size or limited in its total mass, is a matter for subsequent inquiry. We will now speak of those parts of the whole which are specifically distinct. Let us take this as our starting-point. All natural bodies and magnitudes we hold to be, as such, capable of locomotion; for nature, we say, is their principle of movement. But all movement that is in place, all locomotion, as we term it, is either straight or circular or a combination of these two, which are the only simple movements. And the reason of this is that these two, the straight and the circular line, are the only simple magnitudes. Now revolution about the centre is circular motion, while the upward and downward movements are in a straight line, 'upward' meaning motion away from the centre, and 'downward' motion towards it. All simple motion, then, must be motion either away from or towards or about the centre. This seems to be in exact accord with what we said above: as body found its completion in three dimensions, so its movement completes itself in three forms.
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It is an act that provides and promotes the enhancement, protection and conservation of the environment, sustainable management of natural resources
