Answer:
A
Explanation:
"Yes, she has pity on the poor orphan. But alas! I am subjected to my brother, who embitters my life"; this reveals that Nina is controlling.
Answer: Khattam-Shud shows Haroun on the ship that each story in the Ocean requires its own type of poison to properly ruin it, and suggests how one can ruin different types of stories. Iff mutters that to ruin an Ocean of Stories, you add a Khattam-Shud. The Cultmaster continues that each story has an anti-story that cancels the original story out, which he mixes on the ship and pours into the ocean. Haroun, stunned, asks why Khattam-Shud hates stories so much, and says that stories are fun. Khattam Shud replies that the world isn't for fun, it's for controlling. He continues that in each story there is a world he cannot control, which is why he must kill them.
Explanation:
Iff here simplifies Khattam-Shud's explanation, as all that's needed to really end a story is to say it's over. However, Khattam-Shud is working to not just end stories by simply saying they're over, but to make them unappealing to audiences, which will then insure that they won't be told, Silence Laws or not. Think about the ancient stories around the Wellspring; they exist as an example of what happens when stories are deemed boring and not useful.
Answer:
In her essay, Jesmyn Ward describes racism in Mississippi telling real situations that she, her family and friends lived there. She is very critical of the systemic racism in the south of the country: "Sometimes the aggression is deeper, systemic. It is black children in my family enrolling in free preschool programs where their teachers barely tolerate them, ignore them, do a terrible job of leading them to learning."However, she also relates how the people she knows and love try to fight back the racism by staying alert when they see a situation where someone is in danger or is being discriminated:"I remember that Mississippi is not only its ugliness, its treachery, its willful ignorance (...). Here is one of my best friends from high school, a white woman with two toddlers, who stops her car when she sees black people pulled over by the police, pulling out her phone and filming in an attempt to belay disaster, to hold authority accountable."
Jesmyn Ward also uses figurative language throughout the essay to strengthen her claim, to give more meaning to the situations she is describing and to properly describe what she goes through when she is there, to emphasize and transmit the way she feels: "We stand at the edge of a gulf, looking out on a surging, endless expanse of time and violence, constant and immense, and like water, it wishes to swallow us. We resist.
