Mr. Duseel.........................................
I believe that you are talking about the work "Persepolis" written and designed by Marjane Satrapi. If that is the case, Satrapi uses a chronological framework to tell her story, showing how the Islamic revolution has interfered in her life from childhood to adulthood, as well as showing how her family has been affected over time. This type of structure is efficient for communicating with an audience interested in history and impacting revolutions on life and ordinary people. Regarding the style, we can see that Satrapi used a simpler style, without striking details, showing that the story was more adult and dealt with strong and not childish themes.
"Persepolis" is an autobiographical grafic novel, where the author shows the development of her life within the Islamic revolution in Iran.
He engages the audience in the first paragraph by adding short sentences and engages the audience in the second paragraph by getting the reader to participate in the text.
We can arrive at this answer because:
- In the first paragraph, McPhee presents a series of short sentences, which generate a certain degree of anxiety and curiosity in the reader about the text.
- In addition, it presents the main subject of the text, right in the first sentence, which is capable of attracting the reader's attention.
- In the second paragraph, he places the reader as part of the text, making the reader feel that he or she is the writer who has a block that does not allow him or her to write.
With that, we can affirm that McPhee involves the public, creating anxiety in the reader and then involving the reader in the situation that provokes this anxiety.
This question is about the text "Draft No. 4" written by John McPhee.
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Answer:
a I think if not look in the glossary see what word is in the declaration is in and go to that page or just read through that whole thing then eventually you'll find it lol
