Answer:
Susan B. Anthony was never married, and devoted her life to the cause of women's equality. She once said she wished “to live another century and see the fruition of all the work for women.” When she died on March 13, 1906 at the age of 86 from heart failure and pneumonia, women still did not have the right to vote. (February 15, 1820 March 13, 1906) was an American social reformer and. The women's movement was loosely structured at that time, with few state organizations and no national organization other The funding Train had arranged for the newspaper, however, was less than Anthony had expected. Anthony founded the National Women's Suffrage Association in 1869 with fellow women's suffrage activist Elizabeth Cady Stanton. She drafted the first version of the 19th Amendment in 1878. Just before she retired in 1900, Anthony was asked if women would be given the right to vote in her lifetime. Hope That Helps!
to a certain extent. the rovers are meant to be stable in the conditions of cars along with it's gravity levels. these factors can fluctuate depending on the planet. other factors, such as wheel grip along with the inside work (wires and stuff) do not change too much.
The Great Depression is an effect of the stock market crash
Answer: “Birth of a Nation”—D. W. Griffith’s disgustingly racist yet titanically original 1915 feature—back to the fore. The movie, set mainly in a South Carolina town before and after the Civil War, depicts slavery in a halcyon light, presents blacks as good for little but subservient labor, and shows them, during Reconstruction, to have been goaded by the Radical Republicans into asserting an abusive dominion over Southern whites. It depicts freedmen as interested, above all, in intermarriage, indulging in legally sanctioned excess and vengeful violence mainly to coerce white women into sexual relations. It shows Southern whites forming the Ku Klux Klan to defend themselves against such abominations and to spur the “Aryan” cause overall. The movie asserts that the white-sheet-clad death squad served justice summarily and that, by denying blacks the right to vote and keeping them generally apart and subordinate, it restored order and civilization to the South.
“Birth of a Nation,” which runs more than three hours, was sold as a sensation and became one; it was shown at gala screenings, with expensive tickets. It was also the subject of protest by civil-rights organizations and critiques by clergymen and editorialists, and for good reason: “Birth of a Nation” proved horrifically effective at sparking violence against blacks in many cities. Given these circumstances, it’s hard to understand why Griffith’s film merits anything but a place in the dustbin of history, as an abomination worthy solely of autopsy in the study of social and aesthetic pathology.
