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lisov135 [29]
3 years ago
15

How can a 7 mounth old blue heler break chains ( they were really tuff ) and die :

Arts
1 answer:
madreJ [45]3 years ago
8 0
Nooo wayyyy
howwww comeee
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Describe in a few sentences, why you think artists rarely use symmetrical balance in their work? What are some other ways artist
VARVARA [1.3K]
The more unbalance the more interesting people find it. If it's all symmetrical the eye won't be drawn anywhere in particular .
4 0
3 years ago
1=120
Katena32 [7]

Answer:

120 eighth notes per minute.

Explanation:

The timing is a jig, (6/8 timing) meaning that there are 6 beats per measure and the 8th note gets one beat. 120 is the metronome speed, indicating that the piece must be played at the speed of 120 eighth notes per minute.

Hope this helps!

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3 years ago
How did Baroque sculptors like Bernini break away from Renaissance conventions?
KonstantinChe [14]

Answer:

a)  Baroque artists sought to convey figures full of emotion and energetic movement.

Explanation:

Baroque artists were trying hard to <u>express energy, emotion, movement, dynamics, and drama</u> through their art as well as their sculptures. We can look into works of some of the most famous Baroque sculptors like Bernini, Maderno or Mochi, to see <u>sculptures that are in movement, full of expression, details, emotions, and life. </u>

Renaissance was aiming more for a classic, realistic style that celebrated the figure and the simplicity, <u>while the Baroque style was full of life and drama, embodied through sharp contrasts, theatrical facial expressions, movement, and ornamentation. </u>

5 0
3 years ago
Why would the artist George Catlin’s paintings from the 1800’s be considered a form of artistic documentation?
Luba_88 [7]

Answer:

The American artist George Catlin became fascinated with Indians in the early 1800s and traveled extensively throughout North America so he could document them on canvas. In his paintings and writings Catlin portrayed Indian life in great detail.

Explanation:

:))

6 0
2 years ago
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What are the main shapes in a painting
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