Answer:
Among the options given on the question the answer is option C.
By planting grass in battlefields,memories of war are softened.
Explanation: Grass is a three stanza poem by Carl Sandburg. Henry holt and company first published the poem in New York in 1918.
The central idea of the poem is to show how the battles and the aftermaths get covered by the human. The poem describes the try of human as grass. The grass cover the battlefield means the memory and loss of war is covered by the human nature. They are not strongly memorized. People forget about their errors,like in the poem it is said as 'What is this,Where are we now?'. The damage of the battle of Waterloo and Austerlitz is also covered by human to erase the error and memory of the war.
In the poem poet says,
Pile the bodies high at Austerlitz and Waterloo.
Shovel them under and let me work—
I am the grass; I cover all.
And pile them high at Gettysburg
And pile them high at Ypres and Verdun.
Shovel them under and let me work.
Two years, ten years, and passengers ask the conductor:
What place is this?
Where are we now?
I am the grass.
Let me work.
So the grass is working as human to erase the war memories.
Answer: I believe that it means that in the same process of making others happy you can find happiness within yourself by making others happy.
Explanation:
Answer:
yes
Explanation:
I have always been afraid of needles because I was always getting hurt on air so needles were massive "run away enabled" moments for me. Shots I was almost always sure something would go wrong (which happened several times) so I didn't want that when I was at the doctor's.
Answer:
characters
Explanation:
The people or animals who take part in a literary work are known as characters. They are given literary characters that they mimic an play to formulate a complete story.
This is can be a stage play or even a a recording that would play afterwards. They are regardless of who they are in real life and what their aspirations are. They have to mold themselves into the characters of the character that they are made to play in a literary work of art.
