The character of Editha is a foil, developed to portray <span>the fickleness of the arguments that support war. The author ironically reveals how Editha repeats the passages from newspapers and magazines supporting the need to go to war. But the author takes a step further to give us a view of Editha’s perception when she says, "But now it doesn't matter about the how or why. Since the war has come, all that is gone. There are no two sides any more. There is nothing now but our country." Finally, toward the end of the story, Mrs. Gearson sarcastically says, "No, you didn't expect him to get killed," a commentary by the author to show the ignorance of people who idealize war.</span>
A long sound is when a letter such as A, E,I, O, and U says exactly a,e,i,o,and u like in the word cake if u break up the word its c-a-ke
<span><span><span>Characterization is the process of creating a character. Major characters must possess complex personalities to create interest. If the reader can personally identify with major characters, a story carries added emotional charge. Major characters have their own motives that drive the action of the story. Conflicts occur between characters creating situations that demand resolution. As a story evolves, the personalities and motivations of major characters may change adding to the complexity of the story. Major characters are protected by character shields - a plot device that protects them from the misfortunes perilous for minor characters. The shield can be skill, luck, paranormal force or something unexplained. Major characters can be categorized as: The Protagonist: a hero or heroine of a story, whose progress in life is the storyline of a story. The flaw, problem, conflict or quest that confronts the protagonist provides the substance of a story. The protagonist is usually blessed with virtues that place him on the side of 'good'. 'Good' signifies the philosophical and moral stance that the author assumes the reader sympathizes with. The Tragic Hero: a type of a character whose personality has some tragic flaw (hamartia) that prevents him from being what he wants to be causing him constant suffering. The hamartia provokes the sympathy of the reader. In certain stories, an antagonist is presented as a tragic hero to justify fatal flaws. The Antihero: a type of a protagonist who presents himself more like an antagonist. As the story develops the reader come to understand that the ant-hero is really on the side of 'good'. The Antagonist: a hero or heroine of a story who actively opposes the protagonist hindering the protagonist's progress toward a resolution of his problem. The antagonist represents an opposing force that is depicted as 'evil'. The Villain: the most stereotypical type of an antagonist, depicted as an utterly evil person. The villain has no scruples and hates everyone and everything. The Evil Twin: a type of an antagonist who is the alter ego of the protagonist. This opposition to the protagonist multiplies the effect of conflict in a story. The False Protagonist: a character who is introduced as a protagonist at the beginning of the story but removed from the storyline later on. This character is replaced by another character who is elevated to the level of protagonist. </span> <span>NARRATOLOGY
<span>What is
Narratology ?</span>
Narrative Structure
Plot
Codes
Temporal
Style
The Narrator
Corporal Form
Physical Position
Narrator's Bias
<span>Grammatical
Position</span>
Literary Devices
Plot
Character
Setting
Continuity
Rhetoric
Characters
Characterization
Stock Characters</span></span><span> </span><span> </span><span><span> </span></span></span>
