He liked Jean Renoir and Orson Welles' work for their use of wide vistas and deep focus photography because he believed that these techniques would give viewers more opportunity to interpret what they saw on film as they would in real life.
<h3>Who was Andre Bazin?</h3>
French film critic and theorist André Bazin (18 April 1918 – 11 November 1958) was well-known and respected. In addition to co-founding the acclaimed film magazine Cahiers du cinéma in 1951 with Jacques Doniol-Valcroze and Joseph-Marie Lo Duca, Bazin began writing about movies in 1943. His claim that reality is the primary purpose of cinema makes him stand out. His demand for objective reality, intense concentration, and the absence of montage are all related to his conviction that the viewer should be free to interpret a movie or scene as they see fit. This put him at odds with film theory from the 1920s and 1930s, which focused on how the movie industry could distort reality.
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Answer:
The answer is B. False.
Explanation:
Romanticism rejected the ideas of former periods, specifically those of the Industrial Revolution and the Age of Enlightenment. For this reason, it <u>emphasized</u><u> </u><u>individualism and subjectivity</u>.
This movement also explored intense emotions such as terror and awe. Its art usually depicts individuals facing the beauty and power of nature.
Answer:
I am going to say it is B
Explanation:
The reason I do not believe it is C is that: "After leaving UCLA his senior year" Is not a complete thought. Nor does the sentence have linking words like, however, furthermore, despite, etc.
D is not right because there is no reason to have a break between "UCLA" and "his senior year".
I hope this helped!
<span>Elvin Jones was one of the most prominent
jazz drummers in the second half of the 20th century. He played with
John Coltrane from 1960 to 1966 as a member of the John Coltrane quartet and
earned praise for his innovative approach, experimenting with polyrhythms and
variations. He is one of the first drummers to redefine the role of the rhythmic
section of a band: as a drummer, he would most often imply the tempo rather than follow it.
</span>
