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sammy [17]
3 years ago
12

Which excerpt from Through the Looking-Glass by Lewis Carroll is an example of a statement that is both nonsensical and logical?

Arts
2 answers:
Dafna11 [192]3 years ago
7 0

Answer:

“Contrariwise,” continued Tweedledee, “if it was so, it might be; and if it were so, it would be; but as it isn't, it ain't. That's logic.”

Explanation:

A

Radda [10]3 years ago
5 0
The last quotation is the answer
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Miriam Schapiro is known for
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She was a painter and sculptor but she was best known for her collages.

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PROVA - Sobre Édouard Manet é correto considerar: I - Seu realismo tinha intenções sociais. II - Seu realismo refletia um ar de
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Answer:

III - Sua obra causou grande escândalo na época por apresentar uma mulher nua em companhia de dois homens bem vestidos.

IV - Esse artista é considerado precursor do impressionismo pela sua composição e a luminosidade de sua obra.

Explanation:

Édouard Manet era um filho de uma familia aristocrata e tinha um grande senso artistico que não foi bem interpretado em sua época. A obra de Manet foi recusada de muitas exposições por exibir corpos femininos nús, ou melhures acompanhadas de homens bem vestidos. Essas representações foram vistas como indecentes, porém Manet desejava mostrar pinturas realistas, inspiradas em pessoas de verdade que poderiam ser facilmente encontradas no cotidiano de qualuqer pessoa que visse suas obras

As criticas e rejeições prejudicaram muito a auto estima de Manet como artista, mas ele continuou incrementando suas pinturas e melhorando suas tecnicas, chegando a ser um dos grandes precursores do estilo de pintura conhecido como impressionismo.

Obs: Perguntas em português devem ser postadas no campo "World Languagens," caso contrario, a sua pergunta pode ser apagada.

4 0
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7. What does Mishler mean by the foreground-background interaction? How can this affect the photographs, based on the examples i
m_a_m_a [10]

Answer:

Mishler calls this interaction FABRIC (Foreground and Background Relative Interactive Contrast)

Explanation:

It means that the lightest part of the background contrasts with the darkest part of the foreground, and the lightest part of the foreground contrasts with the darkest part of the background, creating a light-dark-light-dark pattern. It affects the way the foreground of the photograph interacts with the background, making the subject really stand out. He talks about using it in wildlife photography, concentrating the lightest parts of the foreground with the darkest part of the background.

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