The correct answers are these two options: “but the towers themselves look blind” and “shattered image of a man or a god”. Taken from the short story “<em>By the Waters of Babylon</em>” by Stephen Vincent Benét (1937), the passage presented above narrates the moment when John, the son of a priest, visits the Place of the Gods. <u>The Place of the Gods</u> or <u>The Dead Place</u> was a great city that was destroyed by a great burning and it was said to be inhabited with spirits and demons since then. Since the passage describes this <u>desolate place</u>, the writer used a suspense tone in the narration. By definition, desolation is the state of a place that is completely empty or where everything has been destroyed. In this case, the two options “<em>but the towers themselves look blind</em>” and “<em>shattered image of a man or a god</em>” are the correct phrases that describe the details of a destroyed, desolate place which is <u>the Place of the Gods</u>.
Answer:
hiiii thheeeeee i like when three smile at meeeee
Explanation:
Answer:
1.) Snakes are very sensitive to vibrations in the ground.
2.) To avoid a snake bite, use protection. Wear special clothes and boots.
3.) My friend's snake left quite an impression on me.
4.) Snakes only attack first in situations where the feel frightened.
5.) The doctors made the decision to tale the tourist to the hospital.
6.) It's impossible for humans to read the expressions on the faces of animals like snakes.
7.) It's difficult to avoid a bite, because snakes have very fast reactions.
8.) In conclusion, I think that snakes are both beautiful and mysterious.
Okay, so this is a little hard to answer when you do not have the excerpts, but I will try my best to work a answer out of the headings. I think your answer would be C. It makes sense, the info that comes after the titles, so If I were you I would go with C.
I hope that helps.
Answer:
inside story
Explanation:
The action of a play is generally confined to a "world" of its own—that is, to a fictional universe that contains all the characters and events of the play—and none of the characters or actions moves outside the orbit of that world.
