Neville Brody has viewed the magazine as a dimensional object existing in time and space, and he has experimented with the continuity of design from one issue to the next. His contents page logo for the face , for example, deconstructed from letters to abstract glyphs over several issues
<h3>Continuity of design</h3>
Utilizing continuation will help you as a graphic designer direct the eyes of your audience through your designs. In addition to building a connection between the design and your viewers, this enables you to draw their attention to particular components that you want them to see.
The Continuity of design principle's ability to be applied to both vertical and horizontal movement is one of its most important features. Let's examine the real-world applications of this idea, particularly as they pertain to graphic design.
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Answer:
Used music to communicate daily activities and commands on the battlefield.
Explanation:
He liked Jean Renoir and Orson Welles' work for their use of wide vistas and deep focus photography because he believed that these techniques would give viewers more opportunity to interpret what they saw on film as they would in real life.
<h3>Who was Andre Bazin?</h3>
French film critic and theorist André Bazin (18 April 1918 – 11 November 1958) was well-known and respected. In addition to co-founding the acclaimed film magazine Cahiers du cinéma in 1951 with Jacques Doniol-Valcroze and Joseph-Marie Lo Duca, Bazin began writing about movies in 1943. His claim that reality is the primary purpose of cinema makes him stand out. His demand for objective reality, intense concentration, and the absence of montage are all related to his conviction that the viewer should be free to interpret a movie or scene as they see fit. This put him at odds with film theory from the 1920s and 1930s, which focused on how the movie industry could distort reality.
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I’m not 100% sure but I think it’s drop patterns
